sounds chiefly pastoral
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Artist:
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Album:No One Can Love You Like Me
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Track:Girl on Girl
Girl on Girl : The Sugar Oaks : No One Can Love You Like Me : 4:01 the last two bands to have tickled my folkie fancy have been Field Music from the UK by way of Sunderland, with their sophomore album Tones of Town in early 2007, and The Sugar Oaks from the US by way of Orlando, with their debut EP Red Grapes in the City in early 2008. dissimilarly, of course.

The Sugar Oaks sound dauntlessly pastoral, at once recalling prog-folk rusticity and radio-folk idyls. or, just because mogger deadmandeadman hit me with "neo-traditionalists" the other day ;p, let's make that neo-pastoral, Matthew Gersting's undebauched-boy voice delivering such a line as: "From where does my cell phone ring? Maybe from Germany, maybe from Paris, France, maybe from a circumstance you might be tempted to advance."
[ERRATUM] that would be Chris Belt's voice sans debauchery, not Matt Gersting's. sorry, TSO. (:
the new news is The Sugar Oaks are back with a three-track CD single, No One Can Love You Like Me, from whose titular track i pulled out the above lyrics, and from where comes the invitingly ribaldrous-titled Girl on Girl posted on here - a charmingly worded ode to coming of age, i think. i am happy to report that the new stuff retains the virtues of the earlier stuff, with a markedly tighter sound. the best news is The Sugar Oaks, bless their always generous selves, are active moggers and you can listen to the new stuff here: http://mog.com/The_Sugar_Oaks http://www.myspace.com/thesugaroaks http://www.thesugaroaks.com
it is also a sound that reminds me of Kenneth Branagh's adaptations of As You Like It and Much Ado About Nothing, or makes me miss playing The Curse of Monkey Island, whether or not that helps.
It was on that hot afternoon She knocked on the back door of my room My mom wasn't home I was conveniently alone
The door opened to the west She came in with the sunlight It was shining through her dress And her thighs were silhouettes
How could I forget?
lyrics excerpted from Girl on Girl








Comments (15)
Scott, you must've been in an incompatible mood when you listened to them before. it happens. i mean, just before a client presentation, i'd probably play Fugazi, or Black Flag, and play The Sugar Oaks when it's done and i can rest easy.
arguably the biggest buzz surrounding Field Music last year was how they sound a lot like Steely Dan.
Chris / The Sugar Oaks, oopsie on the miscredit. i could swear i fact-checked it. if i were a pro journalist writing about a sample-happy hiphop tune, i'd have got my ass sued by now. y'all sound undebauched so it's even. (:
i am looking forward to the full-length, and from the looks it, so are many others. keep it up, TSO. cheers!
Toronno, hey, belated happy mogiversary! the cover art is awesome, yes. i mentioned several comments ago that it reminded me of Humpty Dumpty - just to balance that out, i'd add (1001) Arabian Nights and the Ramadan issue of Neil Gaiman's Sandman.