before 1997, Tanya Donelly was some kind of star. she was an indie darling by three counts in the girl-fronted school of '90s indie pop: Belly, Throwing Muses (with stepsister Kristin Hersh), and The Breeders. after 1997, she was some kind of icon. she enjoyed ample sleeper artistic cred, not without a dream-list of collaborations including This Mortal Coil, the late Mark Sandman (Morphine), Mission of Burma.in 1997, she was just a girl trying to make it on her own; open and close quotations. fans wanted her girl-group, not solo; no one wants to see poster girls grow up. she released her debut album that year, Lovesongs for Underdogs, the followup to the Sliding & Diving EP, her first ever solo release. she was 31 and at a crossroads (i can relate.), a make or break point for anyone in the market of confessional chick vocals.but Tanya Donelly survived and made it out - one of the few who did. LfU was girl-hot with teeth in its unassuming fragility. it wasn't boring mature mom, or former fresh face hanging on to youth, or reclusive creepy old hag. LfU was the size 6 baby blue baby tee on which it said: f you grannies fuck u kids."You'd have to be an acrobat to touch herwhere she can feel a thing."
* Trot90s is short for The rest of the '90s
Locating MOG account...
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