WHERE THE HOKEY POKEY "IS" WHAT IT'S ALL ABOUT

t.A.T.u.

Dangerous and Moving

  • AMG Review of Dangerous and Moving

    Amg
    Stephen Thomas Erlewine
    All Music Guide

    Three years after they were an international media sensation -- hey, who doesn't like talking about and looking at Russian lesbian schoolgirls? -- t.A.t.U. returned in 2005 with their second album, Dangerous and Moving. As Tommy Duncan sang, time does indeed change everything, and t.A.t.U. had a turbulent three years, separating from the Svengali manager and, most shocking of all, revealing that they weren't lesbians at all! In fact, Julia Volkova actually had a child, which kind of punctured the whole schoolgirl lesbian fantasy that had been pushed by the dearly departed manager in the first place. So, free to be themselves, t.A.t.U. decided to grow up for their second album -- and nothing says maturity like ditching the short plaid skirts and bringing in Sting to play bass for a track, while hiring Richard Carpenter for a string arrangement for another. The presence of these two middlebrow titans may suggest that Dangerous and Moving sounds different than their debut, 200 km/h in the Wrong Lane, and while that's true to a certain extent, it's also misleading. Yes, there are a couple more allads here, the Eurotrash quotient isn't quite so trashy (yet it's every bit as Euro), and, best of all, the girls' voices aren't run through the computer compressor that makes them sound as high and shrill as a drill. But all these little changes don't really alter the duo's music much at all.

Dangerous and Moving
about 1 year ago

I was reading an article from last month's New Yorker about Marc Jacobs , which frankly was sort of meh, but as I've mentioned in the past, I'm a fan of the man, so who is to complain? A fan of his physical transformation more than anything.Jacobs, who has worked with Stephen Malkmus, Jarvis Cocker, M.I.A. and Michael Stipe in past campaigns is currently working with t.A.T.u. for his fall-wi...

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