The Kinks Present Schoolboys in Disgrace

AMG Review of The Kinks Present Schoolboys in Disgrace

Stephen Thomas Erlewine
All Music Guide

Ray Davies had indulged himself one time too often with Soap Opera, and his bandmates, namely brother Dave and founding member Mick Avory, revolted, insisting that their sixth RCA album sound more like a Kinks album (certainly, that's something RCA wanted too). So, Davies designed their next album as a return to a simpler, band-oriented sound. Of course, he didn't jettison his love for conceptual works, so Schoolboys in Disgrace was born. Working under the presumption that a return to simple ock demanded a simple theme, Davies constructed the album as a nostalgic trip through childhood, reviving '50s ock & roll (including the occasional doo wop harmony) for the album's foundation, then turning the amps up high. There's no actual story per se -- it's a series of vignettes, like a coming-of-age film. As such, it's intermittently successful, on both the hard rock ("Jack the Idiot Dunce") and allads ("The First Time We Fall in Love"). [A Japanese edition was issued in 2009.]