The Jesus Lizard

AMG Review of The Jesus Lizard

Nathan Bush
All Music Guide

Sandwiched in between two major label outings for Capitol Records, this self-titled release for New York's Jetset brought changes on many fronts for Jesus Lizard. Bolstered by new drummer Jim Kimball and a host of prominent studio help (Jim O'Rourke, John Cale, Andy Gill), the EP's five tracks offer evidence of a maturing sound. Though frontman David Yow's vocals may not be as fierce as the frantic purges of yore, he still proves more than capable of keeping up with his band mate's pummeling attack on the set opener "Cold Water." The new rhythm section (completed by original bassist David Sims) is as tightly wound as its predecessor, a fact enhanced by Duane Denison's guitar playing as he alternates between concise power-riffs and sharp, alarm-like figures. "Eyesore" recalls PiL with Yow's monotonous wail set against buzzing, claustrophobic guitar lines. The pair of instrumentals that close the set however, are substantial departures. Indulging in the sort of experiments the EP format allows, "Valentine" and "Needles for Teeth" will surely surprise longtime fans of the group. The former begins as a delicate bass piece and ends as a slice of seasick electronica while the latter employs the engineering skills of O'Rourke on a thoroughly disjointed, cut-and-paste rhythm underpinned by weighty bass and soft, optimistic piano figures. Both are little more than curious experiments, however, making Jesus Lizard a compelling release for fans and not the uninitiated.