Copperfields

AMG Review of Copperfields

Richie Unterberger
All Music Guide

The Dillards' second album with ock-influenced arrangements was not as barrier-busting as 1968's Wheatstraw Suite, and further removed from their luegrass roots. However, it was a similarly eclectic and, for the most part, joyous romp through a fusion of luegrass, ock, folk, and country, with a bit of pop and orchestration along the ride, and the group's superb vocal harmonies being the main constant. "Touch Her If You Can" was the number with the most pop and orchestration, and worked extremely well, with its achingly sad melody. If anything the Dillards did on Elektra could have been a hit single, this would have been a likely candidate. Their unusual a cappella arrangement of the Beatles' "Yesterday" caught some attention, and "Brother John" is another simultaneous detour and highlight, with its Dave Brubeck-influenced jazzy rhythms and guitar picking that recalled the Byrds' psychedelic era. While other tracks, like the luegrass tune "Old Man at the Mill" and Eric Andersen's "Close the Door Lightly," were more in the standard country-rock mode, they're also good, with the musicians applying care and creative production to the material throughout the disc.