Bastards of the Beat

AMG Review of Bastards of the Beat

Jason MacNeil
All Music Guide

This Brooklyn group has a lot of assets that fans of Americana would lap up in a minute. After the brief introductory lament, lead singer Alex Dezen toes the line between oots rock and alternative pop ŕ la Soul Asylum on the gleeful and grin-inducing "What You Get." If there's any drawback to the song, it comes off as a tad incomplete. But the Westerberg style on "Kiss Catastrophe" is excellent, a mid-tempo melancholic melody. The first breather on the album is a quasi-country allad entitled "I'll Be Around," which sounds like a polished Wilco B-side attempt. The trumpet is a refreshing touch though. They nail the subsequent "Newborn History" far better, a slower and moodier effort resembling The Cash Brothers or, to a lesser extent, Goo Goo Dolls. It's also the first tune that slowly evolves into a grandiose affair, with guitarist David Chernis adding crisp solos. Later on, this is further perfected with a solid "Electric Harmony." "I Will Keep the Bad Things From You" is a far sparser number, with Dezen giving it a haunting, singer/songwriter touch that includes the sound of pages turning in the mix. Perhaps the highlight is the anthem-like pop/rock of "The Sound," driven by drummer Steven Terry, bringing to mind The BoDeans in their heyday. One of the odder tunes is the blips- and bleeps-oozing on "The Lost Complaint," a rich and sometimes lush pop song. The Damnwells again hit paydirt with the catchy oots pop of "New Dehli." Whether future albums head down a pop/rock or Americana path, this album is a near-perfect blend of both as the delicious "Texas" proves.