The Beautiful South's 1989 debut would be important if only to mark the partial continuance of the Housemartins' legacy. But when vocalist Paul Heaton and drummer Dave Hemmingway greeted the world with Welcome to the Beautiful South, the handshake came with a Cheshire grin. Nothing in the Beautiful South was as it seemed. Where there was jaunty, jazzy pop, crossed fingers warned of murderous lyrics. If a single featured a fluttering flute, it was filled with familial terror. "Woman in the Wall," featuring one of the year's most memorable melodies and Heaton's plaintive lead vocal, also featured lines like "He'd enjoyed the thought of killing her before" and "when the rotting flesh began to stink." But even in the album's most gruesome moments, the streak of cynical, caustic sarcasm running through it was as clear as crop circles. This fact only made Welcome's twee goodness that much more fun, for with each well-placed barb it further proved what the Housemartins had started: pop didn't have to be stupid.
The band that came out of the ashes of The Housemartins, The Beautiful South, according to the band in their own version of musical irony, issued a statement saying "The Beautiful South have split up due to musical similarities. The band would like to thank everyone for their 19 wonderful years in music."I had been a fan of The Housemartins and later The Beautiful South. Unfortunately I never h...
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The band that came out of the ashes of The Housemartins, The Beautiful South, according to the band in their own version of musical irony, issued a statement saying "The Beautiful South have split up due to musical similarities. The band would like to thank everyone for their 19 wonderful years in music."I had been a fan of The Housemartins and later The Beautiful South. Unfortunately I never h...
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 "Welcome to the Beautiful South")
