The Beatles
Revolver
Play Revolver
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AMG Review of Revolver
Stephen Thomas Erlewine
All Music GuideAll the rules fell by the wayside with Revolver, as the Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. It wasn't just Lennon and McCartney, either -- Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman"; the jaunty yet dissonant "I Want to Tell You"; and "Love You To," George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert," an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine," and then capped it off with a triptych of bad trips: the spiraling "She Said She Said"; the crawling, druggy "I'm Only Sleeping"; and "Tomorrow Never Knows," a pure nightmare where John sang portions of the Tibetan Book of the Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal, as he tried on every pop style from chamber pop to soul, and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of Revolver may be that the Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly. Either way, its daring sonic adventures and consistently stunning songcraft set the standard for what pop/rock could achieve. Even after Sgt. Pepper, Revolver stands as the ultimate modern pop album and it's still as emulated as it was upon its original release.
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The game opens with a quite stunning sequence, combining both traditional cel animation with CG to spectacular effect. This takes some of the visual ideas and cues from George Dunning's 1968 feature animation Yellow Submarine and runs with them, creating an astonishingly...more here.
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Track:Tomorrow Never Knows (mono re-mix 11)
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I guess some people weren't listening, all those years ago, when George wrote:Let me tell you how it will be - that's one for you, nineteen for me, 'Cos I'm the taxman ... and you're working for nobody but me...Apparently the Republican National Committee and Sarah Palin are true soul-mates; "We can do anything without having to worry about the consequences, because we are the natural elect."Palin
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"When I wake up early in the morning, Lift my head, I'm still yawning When I'm in the middle of a dream Stay in bed, float up stream Please don't wake me, no don't shake me Leave me where I am I'm only sleeping Everybody seems to think I'm lazy I don't mind, I think they're crazy Running everywhere at such a speed Till they find, there's no need Please don't spoil my day I'm miles away And afte...
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*excitement*tomorrow night is opening night for the school production of "Magic Cube: the Coloured Musical!"This piece can also be known as "we-infringed-on-so-many-types-of-copyright-I'm-surprised-we-didn't-get-sued"Basically, we can't call it Rubik's Cube because of copyright. The general idea is to reproduce songs about colours to correspond with the many colours on a Rubik's cube. For ins...
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"Turn off your mind, relax and float down stream It is not dying It is not dying Lay down all thought Surrender to the void It is shining It is shining That you may see The meaning of within It is being It is being That love is all And love is everyone It is knowing It is knowing That ignorance and hate May mourn the dead It is believing It is believing But listen to the color of your dreams It...
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