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Old 97's

Satellite Rides

  • AMG Review of Satellite Rides

    Amg
    Hal Horowitz
    All Music Guide

    Moving even further away from their alt-country roots, the Old 97's fifth effort is a consistently engaging and unpretentious strummy power pop nugget. Bits of the effortless hook-driven approach of Marshall Crenshaw and Nick Lowe mesh with winning melodies that stick in your skull after the first spin. Hints of Brit Invasion Beatles/Badfinger-styled harmonies also infiltrate these songs, bringing a crisp vocal attack to play, especially in bassist Murray Hammond's subtle backing work. Guitarist/singer/songwriter Rhett Miller has honed his composing and arrangement skills to a fine edge, cramming these compact cuts (nothing runs over four minutes, most clock in around three) with smart lyrics and sharp, unaffected playing. There's still a little twang remaining from the old days in the driving double-time "Am I Too Late," and even a solo acoustic guitar allad in "Question," but the band seems most comfortable pounding out crafty, infectious instant singles like "Rollerskate Skinny." Miller's voice is perfect for these songs, mixing just the right amount of pride, innocence, and youthful exuberance into the predominantly upbeat lyrics. But just as importantly, there's a presence and immediacy to Satellite Rides, partially due to the expert touch of mixer Tchad Blake, that makes it jump out of the speakers like the locomotive that provides the band with its name. Deftly incorporating their Texas roots with yodeling and a snappy punch makes "Up the Devil's Pay" one of the disc's most successful tracks, but there really isn't a lackluster performance here. The six-song live bonus EP that came free with early pressings proves how skillful the quartet is in concert, and that their biting, cohesive style is no studio-concocted fluke. The Old 97's sound is organic and natural, and on Satellite Rides they find the perfect balance between their roots in rugged country and pure chiming pop.

a song for the weary
over 2 years ago

My wonderful grandmother is dying, and I've been watching. Not in a morbid sense, but in the sense that I want to gather every detail I can before it's too late. I want to watch her face, look in her eyes, try to find my own face somewhere in there. I listen to her moan and mumble in her semi-coherent state, and I wonder how her voice must have sounded when she was my age. (I imagine it was ver...

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How to unwind after a day with the family
over 2 years ago

I don't know about you guys, but being around my family puts me on edge. I'm sort of the family weirdo, and they treat me accordingly. God, these people make me so tense. I try to speak as little as possible around them in hopes of keeping attention away from me. It doesn't work. They always want to know if I've come around and become one of them.And now I'm home, having a drink and listening t...

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SH takes on James Lipton
over 3 years ago
maybe tonight i've got a question for you
over 2 years ago
well, do you wanna?
12 months ago

do you wanna mess around with me? because i wanna mess around with you...

More >
SH takes on James Lipton
over 3 years ago
How to unwind after a day with the family
over 2 years ago

I don't know about you guys, but being around my family puts me on edge. I'm sort of the family weirdo, and they treat me accordingly. God, these people make me so tense. I try to speak as little as possible around them in hopes of keeping attention away from me. It doesn't work. They always want to know if I've come around and become one of them.And now I'm home, having a drink and listening t...

More >
a song for the weary
over 2 years ago

My wonderful grandmother is dying, and I've been watching. Not in a morbid sense, but in the sense that I want to gather every detail I can before it's too late. I want to watch her face, look in her eyes, try to find my own face somewhere in there. I listen to her moan and mumble in her semi-coherent state, and I wonder how her voice must have sounded when she was my age. (I imagine it was ver...

More >

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