Nara Leăo (Lindonéia)

AMG Review of Nara Leăo (Lindonéia)

Matt Collar
All Music Guide

Nara Leăo's vocal style is reminiscent of Elis Regina, slightly breathy and well-articulated. Her self-titled album is a rather bizarre entry in the Brazilian tropicalia vein -- bizarre for its conventionality. Featuring full orchestral arrangements, the album waxes '60s pop one minute and '30s waltz the next, while always remaining cleanly and immaculately produced. Yet there is a classicist feel to the record, with the traditional Brazilian fare remaining very conservative compared to other ropicalia artists such as "Os Mutantes." The first track "Lindonéia" is a ango-influenced ossa nova written by Brazilian legend Caetano Veloso, whose songs are peppered throughout. The horn and flute accents on "Quem É" might remind some pop culture junkies of the theme to the game show Match Game. "Anoiteceu" is that particular brand of mid-'60s ossa nova often associated with jet-setting love affairs and seaside roadways. One of the true joys of the album, though, has to be the cover photo -- sans any print -- of Leăo reclining on an orange Turkish rug and wearing a purple cotton shirt, with a far-off look on her face.