WHERE THE HOKEY POKEY "IS" WHAT IT'S ALL ABOUT

Napalm Death

A GROYSE METSIE FROM EARACHE RECORDS
about 1 month ago

First of all, for our non-Chosen readers: groyse metsie is Yiddish for a bargain. Don’t say I never taught ya nuthin’.So. For the month of October (or “Rocktober,” as some clever marketing types are dubbing it), Earache is offering a whole bunch of truly righteous albums from their catalog for download on iTunes at a [...]

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NOW THAT’S HOW YOU MIX AN ALBUM
2 months ago

Ian Christe posted the below photo on his Bazillion Points blog yesterday. It’s producer Russ Russell doing some mixing; Christe took it while visiting Napalm Death in the studio during the recording of their album The Code is Red… Long Live the Code in 2005.There isn’t that much to say about it. But it made [...]

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Maryland Deathfest 2009 Line-Up!
about 1 year ago

Man, this festival is quickly becoming one of the best festivals on the East Coast along with New England Metalfest and Prog Power in Atlanta. It has just been announced that legendary grindmasters Napalm Death along with Venomous Concept and Misery Index are being added to an already hefty list of hellacious metal. Also, consider [...]

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FRIENDLY REMINDER: NAPALM DEATH’S TIME WAITS FOR NO SLAVE IS FRIGGIN’ SWEET
4 months ago

Here’s my review if ya haven’t read it.And here’s the band’s new video for the title track if haven’t seen it.Now go buy the damn record.-ARRELATED POSTS:IN WHICH WE USED DRUGS AND ALCOHOL TO NUMB OUR PAINNAPALM DEATH’S BARNEY GREENWAY: THE METALSUCKS INTERVIEWANAALRAPISTSTART YOUR WEEKEND WITH NACHOS. MMM… NACHOS…A SCIENTIFIC INVESTIGATION OF THE NAPALM DEATH [...]

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Review: Napalm Death - Time Waits For No Slave (2009) [aka: The Death of Deathcore]
9 months ago

I have said since the inception of modern deathcore that their biggest influence was Napalm Death and their early grindcore works, all rolled up with breakdowns as evolved from metalcore. This concept has always urked me for some reason, most likely because I feel many of these bands are soiling the great sound of one [...]

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A napalm bomb in the music business
over 2 years ago
Blog post image preview

Young Justin Broadrick could not imagine that playing in a silly band called Napalm Death would change the face of metal. Hell, the guy was just a punk kid getting into hardcore and metal while discovering Throbbing Gristle. In fact, in a town like Birmingham, there was also some chance that our hero was only wondering at the time what he would do tomorrow. Influencing thousands of musicians wa...

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Strange Bedfellows
over 2 years ago

Ahh the wonders of 'shuffle play' and the interesting listening combinations it produces - this Napalmabba 'abomination'(abbaminapalm?) just came up. With this one, it's like having your brain melted then massaged.

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Grinder
over 2 years ago

Great CoverNote: Side one was recorded for £50.00, allegedlyIn your mindNothing but fearYou can't face lifeOr believe death's nearA vision of lifeOn television screensAn existence createdFrom empty dreamsHide behind T.V.Hide behind lifeYou should be livingBut you only surviveLife holds nothingBut pain and deathDon't look for loveThere is none leftMore Scum"http://en.wikipedia.org/wiki/Scum_%28a..

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IS THE NEW NAPALM DEATH ALBUM GOING TO BE EVEN AWESOMER THAN EXPECTED?
about 1 year ago

The Deciblog made reference to "the new Napalm Death record that won't leave our iPod" yesterday, which means a) they've heard Time Waits for No Slave, the new ND album that will drop sometime next year and b) it's fucking awesome. Napalm, like some of their founding death/grind father peers (Cannibal Corpse, etc.) have been [...]

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When All Is Said And Done - NAPALM DEATH
over 2 years ago
When All Is Said And Done - NAPALM DEATH
over 2 years ago
I Guess Nobody At MOG Has Any Answers?
6 months ago

Nothing except "good luck"? I don't believe in luck.Whatever. I fall back into indifference...

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Just love this documentary, and I've only gone and found it on YouTube
about 1 year ago

The ball in the pond with the garden gnomes gets me everytime. It's just so grindcore, NOT. And, of course, Shane Embury's uber-farty bass sound. It's so fuzzed out it would not matter what the hell notes he was playing, as there are so many 'overtones' they all sound the same.

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