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ew wave and post-punk era Moby advertised as being in full effect. The first half contains simple modern ock songs that tend to be anthemic and soul-searching in nature. Lead single "Beautiful" is one exception, a tongue-in-cheek thing Moby has imagined being sung by vacant celebrity couples. No matter how affable, vegan, liberal, bespectacled, or vertically challenged he is, the real irony is that a millionaire and former love interest of Natalie Portman has made a song of this kind (see also: Aerosmith's "Eat the Rich"). A very gentle version of New Order's "Temptation" turns out to be the album's deepest connection to post-punk; it's telling that Moby opted to leave the vocals to Laura Dawn, since he's less a singer than Bernard Sumner. This begins the non-ock portion of the program, which fans of Play and 18 might find easier to enjoy. A bonus disc containing an hour's worth of ambient techno is good enough for separate release.