- MUSIC REVIEWSApproximately two seconds into Convivial , the familiar rattle of Sasu Ripatti's abidingly palatable dissection of the house genre unexpectedly hesitates for a split second, skipping one miniscule fraction of a beat. Rarely, if ever, does anything unpremeditated worm its way into a piece of electronic music, but after listening to the record in its entirety, one cannot help ...
I went to see "The Host" tonight. You don't really have to. It wasn't bad or anything, I just don't think I would have gone to see it if the trailer hadn't gotten me so psyched, or if I didn't have free passes. The first time you see the monster is pretty rad, but after that the writer(s) try to turn it into a roflcopter with some scattered pop-outs. I just found out the Twin Peaks Second Seaso...
Every now and then along comes a song that just oozes naughty things. This has been a favourite of mine (and Mrs) for years. It is, for me, the type of track Luomo does best. check out the album.
Every now and then along comes a song that just oozes naughty things. This has been a favourite of mine (and Mrs) for years. It is, for me, the type of track Luomo does best. check out the album.
I went to see "The Host" tonight. You don't really have to. It wasn't bad or anything, I just don't think I would have gone to see it if the trailer hadn't gotten me so psyched, or if I didn't have free passes. The first time you see the monster is pretty rad, but after that the writer(s) try to turn it into a roflcopter with some scattered pop-outs. I just found out the Twin Peaks Second Seaso...
If you are looking to populate your next club mix, if you make club mixes, chip into Finnish beat sculptor Sasu Ripatti's forthcoming, fourth album under his Luomo moniker (you might remember his other names, Vladislav Delay, Uusitalo, etc.). While Sasu's last album, 2006's Paper Tigers, featured vocals from friend-of-Luomo Johanna Iivanainen on nearly every track, this time Ripatti's extended ...
- MUSIC REVIEWSApproximately two seconds into Convivial , the familiar rattle of Sasu Ripatti's abidingly palatable dissection of the house genre unexpectedly hesitates for a split second, skipping one miniscule fraction of a beat. Rarely, if ever, does anything unpremeditated worm its way into a piece of electronic music, but after listening to the record in its entirety, one cannot help ...