Guitarist John Scofield's final in a long series of releases for Gramavision (he would soon sign with Blue Note) finds him looking ahead toward his future directions. His sidemen -- organist Don Grolnick, acoustic bassist Anthony Cox, and either Johnny Vidacovich or Terri Lyne Carrington on drums -- join him for standards including "Secret Love" and "All the Things You Are," some New Orleans R&B grooves (most notably on "Rockin' Pneumonia"), and a variety of Scofield's originals. The funk element heard on most of his earlier recordings is downgraded in favor of swinging in spots, and despite his trademark distorted tone, Scofield plays some solos that are almost boppish.
Starting with his 1989 album _Flat Out_, jazz guitarist John Scofield finally figured out how to consistently put together melodic lines that worked, and where each phrase related to the one before it and the one after it, and were not just randomly strung-together jazz phrases like most jazz you hear. He also was a master of advanced cutting-edge jazz harmony, not TOO dissonant, and could pla...
Starting with his 1989 album _Flat Out_, jazz guitarist John Scofield finally figured out how to consistently put together melodic lines that worked, and where each phrase related to the one before it and the one after it, and were not just randomly strung-together jazz phrases like most jazz you hear. He also was a master of advanced cutting-edge jazz harmony, not TOO dissonant, and could pla...