Although one often thinks of Jaco Pastorius' first solo album as being 1976's Jaco on Epic, producer/keyboardist Paul Bley actually gave Pastorius his first chance to lead a recording two years earlier. Coincidentally titled Jaco, this spontaneous set (which has been reissued on CD) is also significant for being among guitarist Pat Metheny's first recordings; completing the quartet are Bley on electric piano and drummer Bruce Ditmas. The music consists of three songs by Bley, five from Carla Bley, and "Blood" by Annette Peacock. Pastorius sounds quite powerful, but Metheny's tone is kind of bizarre, very distorted and not at all distinctive at this point. The recording quality is a bit shaky throughout the electronic set, and the group does not quite live up to its potential, but Pastorius shows that he was already an innovative player, making this a CD of historic interest.
It’s official. We can all set our sights on locating James Jamerson’s long-lost ’62 P-Bass “Funk Machine,” because the most famous missing bass guitar of all has been found. Jaco Pastorius’s fretless 1962 Fender Jazz “Bass of Doom” (as he dubbed it) has turned up in New York City, over 20 years after it was last seen there. As Jaco’s main fretless, it can be heard on his landmark
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