There's an inmutable smoothness to Coltrane. It's steady and distinct. I can recognize it anywhere. Pharoh Saunders sounds, at times, as if he plays with his nose (and he may for all I know), but he still blows with passion. With all the intellectual heavy weights that existed and brought such esteem to this complex instrument, why were the 80's so niave?There's a scene at the end of "St. E...
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i gots doz ol hungover wishing i could love this girlie got damned sunday bloozehowdy soks,i mean folks,there heres ya old buddy ROCKNROLLPIMPgawd you tube rulz NO?I can git lost on the inter-puter ALL fricking day LONGoh btw *EAT ME*
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Q magazine recently did a poll of "uncool records that are OK to love." (Find coverage by the BBC "here":http://news.bbc.co.uk/2/hi/entertainment/5237492.stm) The top 10 list is somewhat predictable, but has an old fave from my childhood -- it was an oddball record considering my parent's collection.Consider it a nice complement to the other "guilty pleasures" thread, which I can't find right n...
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There's an inmutable smoothness to Coltrane. It's steady and distinct. I can recognize it anywhere. Pharoh Saunders sounds, at times, as if he plays with his nose (and he may for all I know), but he still blows with passion. With all the intellectual heavy weights that existed and brought such esteem to this complex instrument, why were the 80's so niave?There's a scene at the end of "St. E...
More >
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| Title | Lyrics | Buy |
|---|---|---|
| 1 All Souls |
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| 2 The Land of the Chosen Few |
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| 3 Keep It to Yourself |
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| 4 Sweet Love |
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| 5 Whose House Is It Anyway? |
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