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The main thing that surprised me about Elliott Smith, Autumn de Wilde's book of images of the singer/songwriter (Chronicle, 2007) was that it was even published. I love Smith's music and have ever since I was first introduced—as millions were—via his astoundingly poignant contributions to the soundtrack for the film Good Will Hunting. For me, "Between The Bars", "Angeles" and "Miss Misery" to
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