Repeating the formula of Low's half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound. Much of the harder-edged sound of Heroes is due to Robert Fripp's guitar, which provides a muscular foundation for the electronics, especially on the relatively conventional ock songs. Similarly, the instrumentals on Heroes are more detailed, this time showing a more explicit debt to German synth pop and European experimental rock. Essentially, the difference between Low and Heroes lies in the details, but the record is equally challenging and groundbreaking.
He was leaning against the bar when I approached him. I was drawn to the youthfulness of his rosy cheeks and the roughness of the gash on his forehead. When I introduced myself, he was warm yet evasive about his facial injury. "What can I say? I like it rough," he said in a thick Scottish brogue. It got a chuckle out of me, which got the most devilish, disarming grin out of him. My skin was tin...