As a suburban Californian kid, DJ Shadow tended to treat hip-hop as a musical innovation, not as an explicit social protest, which goes a long way toward explaining why his debut album Endtroducing... sounded like nothing else at the time of its release. Using hip-hop, not only its rhythms but its cut-and-paste techniques, as a foundation, Shadow created a deep, endlessly intriguing world on Endtroducing, one where there are no musical genres, only shifting sonic textures and styles. Shadow created the entire album from samples, almost all pulled from obscure, forgotten vinyl, and the effect is that of a hazy, half-familiar dream -- parts of the record sound familiar, yet it's clear that it only suggests music you've heard before, and that the multi-layered samples and genres create something new. And that's one of the keys to the success of Endtroducing -- it's innovative, but it builds on a solid historical foundation, giving it a rich, multi-faceted sound. It's not only a major breakthrough for hip-hop and electronica, but for pop music.
It was twelve years ago today that DJ Shadow's groundbreaking album Endtroducing was released, and I figured there wasn't a better day to share his music. He's made many albums since 1996, but none of them match the power that he accomplished at his first attempt. In fact, Endtroducing is such an incredible album, I'm almost shocked that it was created only from samples of other records. Thos...
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It was twelve years ago today that DJ Shadow's groundbreaking album Endtroducing was released, and I figured there wasn't a better day to share his music. He's made many albums since 1996, but none of them match the power that he accomplished at his first attempt. In fact, Endtroducing is such an incredible album, I'm almost shocked that it was created only from samples of other records. Thos...
More >
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 "Endtroducing...")
