On True Colors, Cyndi Lauper began to edge her way into adult contemporary territory, but it was on her third album, A Night to Remember, that she concentrated all of her attention on becoming a self-consciously "mature" singer/songwriter. A Night to Remember doesn't always work, but not because she's incapable of performing polished, well-crafted middle-of-the-road material -- "Time After Time" and "True Colors" prove that she could convincingly deliver allads. Instead, the album bogs down because it assumes that labored arrangements and precisely detailed production are tantamount to musical sophistication. That said, there are some moments -- such as the seductive "I Drove All Night" -- that make a lasting impression, illustrating what Lauper was attempting to achieve with the record.
I never listened to Madonna, not in the beginning... boycotted her. I was a *LauperLover(C)*. There is no comparison, _*to this day*_, not for me. I think Madonna has improved immeasurably since her days of hanging out in Venice & lying down in the road, but there is only one *_Cyn_*. Singing about masterbation with "*She-Bop*":http://www.youtube.com/watch?v=vzpxRd44PpE, I hadn't a clue 'ti...
I never listened to Madonna, not in the beginning... boycotted her. I was a *LauperLover(C)*. There is no comparison, _*to this day*_, not for me. I think Madonna has improved immeasurably since her days of hanging out in Venice & lying down in the road, but there is only one *_Cyn_*. Singing about masterbation with "*She-Bop*":http://www.youtube.com/watch?v=vzpxRd44PpE, I hadn't a clue 'ti...