Cocteau Twins
Lorelei
Songwriters: Frazer, E; Guthrie, Raymonde
Without a doubt
And we can make love
And we can go
Without a doubt
And we can make love
Kick his pride
Get him soaked hit run
In my mouth
Without a doubt
And we can go
And we can make love
In my mouth
Without a doubt
Guilty girl, guilty boy
We're covered by the sacred fire
And we can go
Without a doubt
Without a doubt
Without a doubt
Get him soaked hit run
Kick his pride
Without a doubt
Get off the car
We're covered by the sacred fire
Without a doubt
Kick his chain
And we can go
And we can go
Without a doubt
Guilty girl, guilty boy
You come to me broke
And we can go
Without a doubt
Lift up your toes
And we can go
Lift up your toes
Without a doubt
And we can go
Without a doubt
Without a doubt
We're covered by the sacred fire
In my mouth
Lift up your toes
Him chocked with mousse
Him chocked with mousse
And we can go
When you come to me
And we can make love
Get to make out
Lift up your toes
When you come to me
Get to make out
When you come to me
You come to me broke
You come to me broke
In my mouth
Without a doubt
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Eyeah!... and Allelujah
over 2 years ago
For me, chants in music are the equivalent of abstract art; you rorschach yourself into a meaning and vibe. The vocal provides the human link, but the lack of lyrics allows you to bring your own experience or state of mind to the work (think audible ink blot.) The same track could resonate as being haunting/relaxing, sad/uplifting, or ancient/futuristic, etc., depending upon your mood, the t...
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