Cocteau Twins
Lorelei
Songwriters: Frazer, E; Guthrie, Raymonde
Without a doubt
Without a doubt
Lift up your toes
Get off the car
You come to me broke
Without a doubt
You come to me broke
Get to make out
Without a doubt
Without a doubt
And we can go
When you come to me
Guilty girl, guilty boy
Him chocked with mousse
And we can go
And we can go
In my mouth
Without a doubt
Lift up your toes
Without a doubt
Kick his chain
And we can make love
Without a doubt
Guilty girl, guilty boy
When you come to me
And we can make love
Without a doubt
We're covered by the sacred fire
And we can go
And we can make love
Get to make out
Get him soaked hit run
In my mouth
And we can go
We're covered by the sacred fire
When you come to me
Lift up your toes
And we can go
Get him soaked hit run
Kick his pride
We're covered by the sacred fire
Without a doubt
And we can go
In my mouth
Without a doubt
Kick his pride
And we can go
Without a doubt
Without a doubt
And we can make love
And we can go
In my mouth
Without a doubt
Without a doubt
You come to me broke
Him chocked with mousse
Lift up your toes
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Eyeah!... and Allelujah
over 2 years ago
For me, chants in music are the equivalent of abstract art; you rorschach yourself into a meaning and vibe. The vocal provides the human link, but the lack of lyrics allows you to bring your own experience or state of mind to the work (think audible ink blot.) The same track could resonate as being haunting/relaxing, sad/uplifting, or ancient/futuristic, etc., depending upon your mood, the t...
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