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68 is too early to go, but it's no doubt that Buffalo Springfield drummer Dewey Martin left behind one of the most genre-defying drum riffs around -the psychedelic 60s meets 70s anti-war anthem "For What It's Worth" (you can check Martin drumming away to it at the 1967 Monterey Pop Festival below). The story goes that Martin also hooked Stephen Stills up with the acid that inspired writing the ...
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