68 is too early to go, but it's no doubt that Buffalo Springfield drummer Dewey Martin left behind one of the most genre-defying drum riffs around -the psychedelic 60s meets 70s anti-war anthem "For What It's Worth" (you can check Martin drumming away to it at the 1967 Monterey Pop Festival below). The story goes that Martin also hooked Stephen Stills up with the acid that inspired writing the ...
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Courtesy of Zero G Sound here´s Buffalo Springfield with the "The Missing Herd". This is a a 2-disc set tree'd on Rust List chronicling the band's "best" live recorded performances as well as outtakes and rare mixes not currently available on official releases (192 kbps, full cover art included).http://zerogsound.blogspot.com/2008/02/buffalo-springfield-missing-herd.html
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no music content, except for the sound of a smackdown!
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This is a collaboration with Sonya and Shuie (a UK based duo) and I must say I am blown away by what they did to my solo acoustic cover. They did a beautiful job on this!I sent them my raw microphone recording and they upholstered it with their Buffalo magic as follows:Sonya did the 'morse' electric dub on her Les Paul copy, the handclaps and the high harmony.Shuie played the Fenderbass, lead ...
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more youtube goodness, from the monterey pop festival ('67?), Buffalo Springfiled, with David Crosby subbing for Neil Young.Almost like an early version of CSN, with Ritchie Furay instead of Graham Nash. Is this the most influential band ever? If you think about all the subsequent projects these guys spawned, they're like the 49ers coaching staff under Bill Walsh, with Mike Holgren, Dennis Gr...
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