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Big Joe Williams

Going Back to Crawford

  • AMG Review of Going Back to Crawford

    Amg
    Richie Unterberger
    All Music Guide

    Although Williams takes lead vocals on eight of the 26 songs on this disc, and plays his distinctive guitar throughout, it's billed to Big Joe Williams & Friends since the majority of the tracks feature other Mississippi singers on vocals. Williams was trying to bring other singers from his region to the attention of folklorist/Arhoolie owner Chris Strachwitz; most of this CD was recorded by Strachwitz in May 1971 in Crawford, MS, although seven songs were done at a Mississippi radio station a few months earlier. Because of Williams' oft-secondary role, it would have to be considered a secondary item in the Williams' catalog, but it's still pretty solid Mississippi country blues. The performances are pretty tight and focused, and the guitar work good, especially the slide. None of the other singers -- Austen Pete (who also plays second guitar behind Williams), John "Shortstuff" Macon (who plays what's listed on the sleeve as "rattling" guitar), Glover Lee Connor, and Amelia Johnson -- are as arresting as Williams, but none are bad. The fidelity on the Strachwitz-recorded material is good; the quality of the material done at the radio station is less clear, but not hard to listen to. Williams recorded "Baby Please Don't Go" several times, but the one here is certainly good and a highlight of the disc.

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BIG JOE WILLIAMS - And Friends Going Back to Crawford @224kbps
about 1 year ago

Big Joe Williams may have been the most cantankerous human being who ever walked the earth with guitar in hand. At the same time, he was an incredible blues musician: a gifted songwriter, a powerhouse vocalist, and an exceptional idiosyncratic guitarist. Despite his deserved reputation as a fighter (documented in Michael Bloomfield's bizarre booklet Me and Big Joe), artists who knew him well ...

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