Arizona, the Brooklyn-based trio of Benjamin Morris Wigler, Nick Campbell, and Alex Hornbake, are capable of rocking out, as they demonstrate on such tracks as "Somersby" and "Splintering" on their full-length debut album. But the musicians are more comfortable creating more lighthearted pop fare, crafting melodic, inventive arrangements of guitar, bass, drums, piano, and cello with shifting tempos and modulations, all to accompany the fey, high-pitched vocals singing contemplative lyrics. In the crowded field of indie rock, Arizona are unusual in their ability to carve out an identifiable sound (one noticeably influenced by Ray Davies and the Kinks) that draws not only on rock, folk, and pop, but also on classical elements, a sound of considerable charm. As with the psychedelic pop/rock of the Sgt. Pepper's era that this music references specifically, there is a childlike appeal and a delicacy of feel. This sort of thing easily can become too precious, but the musicians of Arizona know when to add some rock grit to keep their musical soufflé from collapsing in on itself.
What can I say about one of the best albums of last year? It's hard to label these guys with a genre. I know they say that while on LSD you can see music and taste colors. Who needs LSD? Just listen to Welcome Back Dear Children and you will envision flowing colors. For some reason this album taps in to all five senses. Today I am doing yard work. I hate yard work. Some Kind Of Chill on...
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What can I say about one of the best albums of last year? It's hard to label these guys with a genre. I know they say that while on LSD you can see music and taste colors. Who needs LSD? Just listen to Welcome Back Dear Children and you will envision flowing colors. For some reason this album taps in to all five senses. Today I am doing yard work. I hate yard work. Some Kind Of Chill on...
More >
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 "Welcome Back Dear Children")
