WHERE THE HOKEY POKEY "IS" WHAT IT'S ALL ABOUT

Alphaville

Forever Young

  • AMG Review of Forever Young

    Amg
    Tim DiGravina
    All Music Guide

    Alphaville's 1984 debut, Forever Young, deserves to be viewed as a classic synth pop album. There's no doubting that Germans are behind the crystalline Teutonic textures and massive beats that permeate the album, but vocalist Marian Gold's impressive ability to handle a Bryan Ferry croon and many impassioned high passages meant the album would have worldwide appeal. Indeed both "Big in Japan" and the touching, sad change-of-pace "Forever Young" raced up the charts in multiple continents. Borrowing inspiration from Roxy Music's detached theatricality and Kraftwerk's beats and rhythms, Gold and company hit upon a magic formula that produced here an album's worth of impossibly catchy tunes that could almost serve as pure definitions for the synth pop genre. The hits race straight for one's cranium and embed themselves upon impact. "Big in Japan" feels like a more serious cousin to Murray Head's "One Night in Bangkok," as a slow-pounding beat spars with Gold's desperate voice. "Forever Young," a stark, epic song that would become essential for every post-1984 high school graduation, drips sadness and never fails to cause a listener to nostalgically reflect on life and loss. Outside of these hits, the remainder of the songs rarely falter, mixing emotion, theater, and of course electronics into a potent, addictive wave of synth euphoria. It's likely every fan could pick his own favorite of the other should-have-been-hits, but "Fallen Angel" deserves special mention. It begins with spooky, funny warbling and icy keyboards, and then explodes and transforms into a startling, romantic epiphany at the chorus. If its lyrics are a bit goofy or juvenile, it only adds to the heartfelt love the song expresses. Alphaville stick firmly to their synths and sequencers on Forever Young, but they keep things interesting by incorporating motifs from funk, Broadway, Brazilian jazz, and even hip-hop. Even when the band takes itself too seriously, the songs' catchy drive and consistently smart production cover any thematic holes. Forever Young is a technically perfect and emotionally compelling slice of 1980s electronic pop/rock music. It's also a wonderfully fun ride from start to finish.

I Like My Keyboard...With A Power Cord.
over 2 years ago

I fucking love 80's music. There. I said it. It seems to be such a guilty pleasure for so many of us. I can just picture it, hundreds of people huddled in the corner of their bathroom, lights off, rocking out to __Careless Whispers__ by WHAM!. I think it's high time that we stopped being ashamed of our synthesizer love affair and demand that more songs feature prominent clapping. Its asham...

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Are you gonna drop the bomb on us?
about 1 year ago

Yes, I am...the German synthpop bomb.I was gonna post a cover or something this lovely Sunday, but happenstance led me to this video. Sometimes when you look for gold, all you find is some cheese. Synthpop Sunday, perhaps?

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"FOREVER YOUNG" by: ALPHAVILLE. Super-Quality Video!
about 1 year ago
Blog post image preview

Here is the song that made Alphaville famous alongside "Big In Japan", in the early 80`s...Alphaville is a German synthpop/-rock music group which gained popularity in the 1980s. The founding members were Marian Gold (real name Hartwig Schierbaum, born May 26, 1954 in Herford), Bernhard Lloyd (real name Bernhard Gößling, born June 6, 1960 in Enger, Bielefeld), and Frank Mertens (real name Frank.

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I Like My Keyboard...With A Power Cord.
over 2 years ago

I fucking love 80's music. There. I said it. It seems to be such a guilty pleasure for so many of us. I can just picture it, hundreds of people huddled in the corner of their bathroom, lights off, rocking out to __Careless Whispers__ by WHAM!. I think it's high time that we stopped being ashamed of our synthesizer love affair and demand that more songs feature prominent clapping. Its asham...

More >

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