Alexander O'Neal almost achieved the breakout he needed for crossover success with his second album. It cracked the Top 30 on the pop album chart, earned a gold record, and included O'Neal's two strongest uptempo tunes, "Fake" and "Criticize." Jam and Lewis linked the material with "party" dialogue and patter, providing their finest and tightest production for any O'Neal record. The beats were catchy, the songs hook-laden, and O'Neal's voice alternately explosive, sensitive and bemused.
Went to see Alexander O'Neal on Friday, had half the audience on the stage with him at the end all dancing to Hearsay et al. What a smoothie despite a bad limp (arthritis?) he kicked it. Band as tight as a knat's arse. To cap it all we went in the back way and caught him having a sneaky fag out the stage door. Took his picture with my wife Vicky, what a gentleman. I'll post it when I work out ...
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Went to see Alexander O'Neal on Friday, had half the audience on the stage with him at the end all dancing to Hearsay et al. What a smoothie despite a bad limp (arthritis?) he kicked it. Band as tight as a knat's arse. To cap it all we went in the back way and caught him having a sneaky fag out the stage door. Took his picture with my wife Vicky, what a gentleman. I'll post it when I work out ...
More >
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 "Hearsay")
