Recorded during the last stages of the band's reunion tour, the double-disc The Final Chapter was designed as Accept's last album. It's a respectable way to depart, if that's the case, because it finds the group bashing through staples like "Balls to the Wall," "Son of a Bitch," "London Leatherboys," "Restless and Wild," and "The Beast Inside." They occasionally show signs of wear (and that's why it's a good thing that this marks the end of their nearly 20-year career), but hardcore fans will be able to excuse those weaknesses and accept this as a nice testament to one of the heaviest German bands of the early '80s.
Bruce won for his end credits tune, The Wrestler, at the Golden Globes the other night, but for me, the hair metal was a fantastically hilarious and realistic touch in that very moving film.Cinderella, Quiet Riot, Scorpions, Ratt, and even Balls to the Wall by Accept were featured.My girl friend was looking at me like I had two heads while I was grinning from ear to ear, and banging my head eve...
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Bruce won for his end credits tune, The Wrestler, at the Golden Globes the other night, but for me, the hair metal was a fantastically hilarious and realistic touch in that very moving film.Cinderella, Quiet Riot, Scorpions, Ratt, and even Balls to the Wall by Accept were featured.My girl friend was looking at me like I had two heads while I was grinning from ear to ear, and banging my head eve...
More >
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 "The Final Chapter")
