Sure, Chris Marrs had some dandies, and Westerberg had a nice go with whole Grandpa Boy/Stereo thing, but nothing captures the spirit of The Mats more than Stinson's work as Bash and Pop. This is, arguably one of the ten best albums of the 90s; no joke. The ballads are heart-wrenching, the musicality is limitless, and the rock riffage blows it up, like a snot rocket in the sub-freezing, Minnesot
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It's one of the best records of the 90s. Also, Garza has done a kajillion records. Check it:http://en.wikipedia.org/wiki/Dav%C3%ADd_Garza#Discography
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Ingenious in its simplicity:Fin Greenall's idea of perfect darkness is a pallete of deep indigo with a silvery grey swirl gently kissing the edges of his folksy, white-boy blues. The guitarist/dj/producer performs under the guise of Fink, pulling in personnel meant to accent his static, sometimes throbbing acoustic guitar work. His latest, Perfect Darkness, is not obvious in its lack of light, but
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