Now's The Time

Posted about 5 years ago
"_J.J. did for the trombone what Charlie Parker did for the saxophone. And all of us that are playing today wouldn't be playing the way we're playing if it wasn't for what he did. And not only, of course, is he the master of the trombone — the definitive master of this century — but, as a composer and arranger, he is in the top shelf as well._"---"Steve Turre":http://en.wikipedia.org/wiki/Steve_TurreBack when bebop was becoming one of the most prominent forms of jazz, there weren't many trombonists on the scene. While saxophonists and trumpeters could maintain the rapid bop pace, most slide trombonists were unable to keep up. "J.J. Johnson":http://en.wikipedia.org/wiki/JJ_Johnson didn't seem to have any problems, though. He rose to the challenge and quickly proved that he could definitely hold his own. This man was undeniably one of the most proficient trombonists of our time. Check this video of J.J. with Sonny Stitt & Howard McGhee (it's a long clip, but you can get some good J.J. action in the first few minutes)

Comments (7)

  1. jimmybearpearson says I second that! In a big way. My son's really enjoying the trombone. I wonder why more musical kudos don't go to 'bonists?
    Permalink posted 02/09/2007
  2. Universalis says . . Trombonists were often staged away by trumpeteers (ah Miles...), just like wonderfull bassists (eg. Noel Redding) have been long faded by guitarists (Jimi Hendrix) 8-)) now maybe new trombonists will erase this and get the lights on them at once !!
    Permalink posted 02/09/2007
  3. Sturgell says Solid!
    Permalink posted 02/09/2007
  4. Anonymous says From Wikipedia: "While the trombone was featured prominently in dixieland and swing music, it fell out of favor among bebop and later jazz fusion musicians, largely because instruments with "valves and keys":http://en.wikipedia.org/wiki/J._J._Johnson (trumpet, saxophone) were more suited to bebop's often "rapid tempos":http://en.wikipedia.org/wiki/J._J._Johnson and demand for technical mastery. In 1946, Bebop 'co-inventor', Dizzy Gillespie encouraged the young trombonist's development with the comment, 'I've always known that the trombone could be played different, that somebody'd catch on one of these days. Johnson, you're elected.'" *I never realized until now what a large role breath manipulation can play in trombone playing. Sure "Johnson's":http://en.wikipedia.org/wiki/J._J._Johnson moving that slide as handily as can be, but there's more that he's us to on the dispensing air tip. Eye-opening.*
    Permalink posted 02/09/2007
  5. Spike says I also enjoyed the bass solo, which was high enough on the neck to hear. Who do you think he was? Sonny Stitt was in good form too.
    Permalink posted 02/09/2007
  6. Takeshi Kovacs says WOW!!! you dig jazz... shocked amazed and stunned! COOL, jazz gets the blood pumping to the brain... thanks for turning me on to this dude. (i'm a huge charlie parker fan)
    Permalink posted 02/10/2007
  7. kat3260 says I can not figure out who the bassist was, Spike! And Fedge - excellent point, when it comes to horns, breath manipulation and the way you purse your lips has a lot of effect on the sound. Like jimmybear said, it's a shame more people don't respect how much effort it takes to be a trombonist. But François is right - the low registered instruments are historically upstaged. Tak - I _love_ jazz. When I go home to visit the family, it is the only genre of music that me, my little brother, my parents, _and_ my grandparents can all appreciate together. It means more to me, for that reason, than any other type of music. And Charlie Parker, well, he is legendary. Hard to believe he only spent 34 years on this Earth.
    Permalink posted 02/10/2007

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