WHERE THE HOKEY POKEY "IS" WHAT IT'S ALL ABOUT

Curtis Mayfield DVD review

Posted about 1 year ago
  • Artist:
  • Album:
    Movin' On Up (DVD)
  • Track:
    (Don't Worry) If There's A Hell Below, We're All Gonna Go
I've been talking about this review for a while, and here's the finished product.Movin' On Up: The Music And Message Of Curtis Mayfield & The ImpressionsDirector: David Peck, Phil Galloway, Tom Gulotta, Rob BowmanCast: Curtis Mayfield, Altheida Mayfield, Sam Gooden, Fred Cash, Johnny Pate, Andrew Young, Carlos Santana, Chuck D(2008) Rated: UnratedUS DVD release date: 6 May 2008 (Hip-O)by Jennifer Kelly Most people, asked to name a Curtis Mayfield song, will come up with something from Superfly, the superlative title track, spectrally funky “Freddy’s Dead” or the ethereally ominous “Pusherman”, all classics of the ‘70s funk era. There’s no question that these are great songs, full of biting social commentary and lacerating funk grooves. Yet for Mayfield, a serious, thoughtful man with long roots in the civil rights movement, it must have rankled that his best, most commercially successful songs were from the soundtrack to scenes of drug abuse and social degradation. Ironic, yes, that the soul singer dubbed ‘the preacher” or “the reverend”, whose luminous “People Get Ready” became an unofficial anthem of the Freedom Rides, should be so closely associated with the fallout years, that post-Vietnam period when heroin took over the black neighborhoods. Movin’ On Up, an expansive documentary, tells both halves of these interlocking stories: the early years when Mayfield, along with Impressions Fred Cash and Sam Gooden sang high, eerie harmonies about a better world; and the later ones when his incendiary funk band sketched a nightmare scenario of poverty, dysfunction and crime. The split for Mayfield, as for many soul musicians, came in 1968, when Martin Luther King was assassinated. “Curtis who had sung about the triumph and the glory of us coming together as a people was now faced with a reality that I was faced with. Life without a Martin Luther King. Life without a Robert Kennedy. Life without a John Kennedy or a Malcolm X,” says Andrew Young, in an interview. “All of these were people who were voices of hope and they shared a vision. And we’ve been floundering ever since in some ways.” More here: http://www.popmatters.com/pm/film/reviews/57602/movin-on-up/

Comments (7)

  1. Terry Staunton says Early on in this enlightening documentary, civil rights activist Andrew Young suggests that Mayfield's messages of peace, love and understanding may have had a more immediate and further-reaching impact than Martin Luther King's, couched as they were in such seductive melodies. That might be exaggerating a little, but there's no denying the singer was one of the voices of conscience in the 1960s. More than two dozen complete vintage small screen performances by Curtis, both solo and with his group, are gathered here, punctuated with insightful remembrances and opinions from former Impressions Fred Cash and Sam Gooden, Mayfield's widow Altheida, and lifelong fans like Chuck D. Radio stations refused to play certain records for being too "militant", but unlikely supporters like Rat Packer Joey Bishop fought the group's corner to get their songs on prime time TV. The music footage is a real eye-opener (the integration rallying cry of Meeting Over Yonder in front of an entirely white teen audience, for instance), lovingly restored by the Reelin' In The Years team, who were also reponsible for the award-winning series of Motown archive collections of a couple of years ago. The whole shebang has a running time of close to three hours, but doesn't drag for a second. The perfect tribute to a giant of the protest song.
    Permalink posted 05/07/2008
  2. jenny says Exactly.
    Permalink posted 05/07/2008
  3. Cody B says Can't wait to see it. I've heard good things about this Mayfield fellow. I see Rob Bowman in the credits. He's my idol as far as chroniclers of r & b go. He did liner notes for all 3 Stax box sets, a book on Stax, the 30,000 word Funkadelic booklet for their singles collection, and tons more. I am sooo jealous.
    Permalink posted 05/07/2008
  4. fastnbulbous says I look forward to seeing this. But I disagree that he was bothered by the popularity of Superfly. Note the lyrics closely and you'll see they're all cautionary tales. He felt that the movie showed the negative side of a drug dealer's life, otherwise he would never have agreed to do the soundtrack. Does the movie only cover the 60s? I love many Impressions songs, but I'd also be interested to learn more about his solo work in the 70s, while he was running his own label at the same time. Here's my take on his 70s albums.
    Permalink posted 05/08/2008
  5. jenny says It's definitely worth checking out. But yes, I agree, and I didn't mean to sell the Superfly soundtrack short on artistic standards. The *songs* are very socially concious. however, the documentary makes clear that he (well, his wife, but she is supposedly speaking about him) was uncomfortable about the context that these songs were put into during the movie...extended scenes of people cutting dope, etc. I think most people agree that his songs were classics -- and much better than the movie they were written for. I just think that casual listeners would be selling the whole legacy short if they only focused on the fact that he scored Superfly. As Terry Staunton points out, he also scored the Civil Rights Movement. And, yes, the documentary covers up to his death, though it goes very lightly over his post Superfly work in soundtracks, etc.
    Permalink posted 05/08/2008
  6. RobP says Funny, I hear Move On Up all the time lately, on commercials, end of You Tube videos (not music clips, people's personal comedy bits, and the people are way too young to have heard it when it was new) but although I had some Impressions stuff I don't think I heard Move On Up until The Jam covered it. Then I found the fantastic album Curtis (recommended to me by a friend named Curtis, but as he was an r&b guitarist/music nut I think that was coincidental) which features Move On Up, If There's A Hell Below, and a handful of other classics... Man, Curtis sings so well it's amazing to me that he sought another singer for the Impressions. Or maybe he just heard Jerry Butler one night and thought had nothing to do with it. The Iceman cometh. Will definitely get to this dvd at some point. But now, Jen, you're selling the movie Superfly short. Next thing you'll be saying that Trouble Man wasn't a great movie.
    Permalink posted 05/09/2008
  7. Cody B says Damn...I wrote a fairly sizable comment here..oh well, thanks for the chance to see it, Jen.
    Permalink posted 05/13/2008

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