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For those unfortunate souls who are unfamiliar with them, this is Po'Girl's debut album which was released in Canada on Jericho Beach Music in June of 2003, and they have been going strong ever since. I believe they have 5 additional release's since this one. Some fine, fine stuff...

http://www.pogirl.net/index_bliss.php

The interplay between Allison Russell, Awna Teixeira, Benny Sidelinger, and Mikey "Lightning" August is truly something to behold. They are distinct voices with incredible harmonies; multiple instrumentalists who bring the perfect sound to each song and songwriters who pen poetic tunes you'll find yourself humming. Po'Girl showcases a wide array of instruments-from gutbucket bass, accordion, clarinet, banjo, dobro, guitar, to electric bass, glockenspiel, piano, harmonica, bicycle bells, drums-- and they all frequently trade off instruments with each song. Their fluid and joyous musicality is one of the group's most endearing and irresistible features.

Impossible to put this band in a tidy little box-they're equally at home in Douala, Cameroon playing the Massao World Music Festival, as they are at the International Jazz Festival in Montreal, the Winnipeg Folk Festival, the Woodford Music Festival in Australia or just playing for fun for the people in Vondel Park, Amsterdam.

Suffice to say Po'Girl makes 21st Century roots music, urban roots - never derivative, not faithfully aping a beloved tradition. Russell, Teixeira, Sidelinger, and August don't re-hash the old forms, they reshape and reinvigorate them for new ears. Like genuine gypsies, they wander and play - out on the international road bringing their unique brand of pan North Americana to a widespread audience 250 to 300 days of the year. Always restless, more often than not bone-tired, they write their flashes of sadness, their loss, their good love, their faint dreams of home into songs that matter deeply to them. Like any good art, they are little acts of self-rescue. So you should listen. You aren't much different from them, and who couldn't use a little rescuing these days?

Po'Girl released their 4th studio album 'Deer in the Night' to critical acclaim in May 2009- they followed that up with ' Po'Girl Live' in July 2009 - a live album recorded at various shows over the last year - which captures some of the energy and excitement of a real time Po'Girl concert.

The band spent 3 weeks in January 2010 recording their new album "Follow Your Bliss" in Chicago, Illinois with the fantastic Zach Goheen at the helm. "Follow Your Bliss" was released in April/May 2010 in Europe, and June 2010 in North America.

Where does the name Po' Girl come from?

The name Po' Girl is a nod to the women of New Orleans who at the time of the railroad strikes gathered scraps of food from the restaurants and delivered the notorious Po' Boy sandwiches to the men while they were striking. It is a nod to the solidarity of the workers, as well as to all the musical influences that came out of New Orleans that have shaped Po' Girl's sound.

Po' Girl is:

Allison Russell: singing, clarinet, banjo, guitar, glockenspiel

Awna Teixeira: singing, gutbucket bass, accordion, electric bass, guitar, banjo, glockenspiel, harmonica, keys

Benny Sidelinger: singing, dobro, guitar, banjo, electric bass, keys

Mikey Lightning: singing, drums, keys

Some Amazon stuff:

Po' Girl is a Canadian group whose style derives from folk, country and jazz. The style of music they perform is called "urban roots." The band evolved from a series of jam sessions, in 2000, between Trish Klein of The Be Good Tanyas and Allison Russell, then of Fear of Drinking. The two met up again in 2003 and named themselves Po' Girl. The Be Good Tanyas broke out of Vancouver with a style that mixed mountain music with just a hint of urban funk. Po' Girl, an offshoot project with BGT singer-guitarist-banjo picker Trish Klein and another Vancouver folkie, Allison Russell, mines a similar vein of back-porch, acoustic intimacy, but moves the music from the hills and hollers of Appalachia to the moss-drenched balconies of Nawlins. Russell's singing evidences a slurred, breathy quality similar to Klein's BGT partners Frazey Ford and Samantha Parton - the Vancouver sound seems to involve a sort of mumbled, intermittently intelligible delivery that is no less evocative for being difficult to decipher. On "Bad Luck Day Baby" Russell breaks it up with bluesy belting that recalls a more energetic Norah Jones. "Bleak St." shows that, like the Tanyas, Po' Girl can groove without getting loud, and they write songs that rest comfortably alongside classic tunes like Lester Brown's "Abilene."