George said "The Elevators"; the other Beatles nodded respectfully.

Texas psyche-rock legends the 13th Floor Elevators released their second studio album, EASTER EVERYWHERE, in 1967. Continuing in the tradition established by their debut, EASTER EVERYWHERE is built on garage-band R&B and swirling acid-rock, with lead singer Roky Erickson's haunting wail and Tommy Hall's percolating electric jug lines front and center. While rave-ups like "Earthquake," "She Lives (In A Time of Her Own)," and "Nobody to Love" find the Elevators at their beguiling best, the album's centerpiece is a sprawling, pastoral, and achingly restrained take on Bob Dylan's "It's All Over Now Baby Blue" (here titled simply "Baby Blue" ) in which Erickson snakes his away around the lyrics showing off the sweetly damaged croon that made him an underground icon. While they'll never get the acclaim garnered by the Grateful Dead or Jefferson Airplane, the Elevators made truly psychedelic music, fueled as much by chemicals and the spirit of the times as the beautifully strange journeys Roky Erickson took through his troubled mind. EASTER EVERYWHERE is an excellent place to join Roky's trip.

How could the The 13th Floor Elevators surpass their first explosive album? Well, listen. From the egg into the flower: The haunting whoop of Tommy Hall's jug, and Danny Galindo's intertwining bass guitar... EASTER EVERYWHERE! The Beatles, upon returning from the USA, were asked which American group made the greatest impression on them. George said "The Elevators"; the other Beatles nodded respectfully. The Elevators' transcendence from RAW ROCK to a profoundly spiritual masterpiece of psychedelia harkens to the Beatles' emergence in Sgt Pepper's. The deep lyrics of Slip Inside this House. The strong guitar in She Lives, the beauty of Dust, and for those who weren't ready to drop the acid rock torch of the previous blockbuster Elevators' album... I've Got Levitation.

From Wiki for those who are interested:

Early life and career

Erickson was interested in music from his youth: he played piano from age 5 and took up guitar at 12. He attended school in Austin and dropped out of Travis High School in 1965, one month before graduating, rather than cut his hair to conform to the school dress code. His first notable group was The Spades, who scored a regional hit with Erickson's song "We Sell Soul"; this song is included on the compilation album Highs in the Mid-Sixties, Volume 17 (although the songwriter is identified as Emil Schwartze on the track listing on this album).

13th Floor Elevators years

Erickson co-founded the 13th Floor Elevators in late 1965. He and bandmate Tommy Hall were the main songwriters. Early in her career, singer Janis Joplin considered joining the Elevators, but Family Dog's Chet Helms persuaded her to go to San Francisco, California instead, where she found major fame.

In 1966 (Erickson was 19 years old) the band released their debut album The Psychedelic Sounds of the 13th Floor Elevators. Psychedelic Sounds had the band's only charting single, Erickson's "You're Gonna Miss Me." A stinging post-romantic breakup song, the single remains probably Erickson's best-known work: it was a major hit on local charts in the U.S. southwest, and appeared at lower position on national singles charts as well. Critic Mark Deming writes that "If Roky Erickson had vanished from the face of the earth after The 13th Floor Elevators released their epochal debut single, 'You're Gonna Miss Me,' in early 1966, in all likelihood he'd still be regarded as a legend among garage rock fanatics for his primal vocal wailing and feral harmonica work."

In 1967, the band followed up with Easter Everywhere, perhaps the band's most focused effort, featuring the epic track "Slip Inside This House", and a noted cover of Bob Dylan's "It's All Over Now, Baby Blue."

After the band's third album, Live, which featured audience applause dubbed over studio recordings of cover versions and older material, The 13th Floor Elevators released their fourth and final album Bull of the Woods in 1968. Due to Erickson's health and legal problems, his contribution to the album is limited, with guitarist Stacy Sutherland taking more of a leading role.

Mental illness and legal problems

In 1968, while doing a stint at Hemisfair, Erickson started speaking nonsense. He was diagnosed with paranoid schizophrenia and sent to a Houston psychiatric hospital, where he involuntarily received electroconvulsive therapy.

The Elevators were vocal proponents of mescaline (peyote), LSD, and marijuana use, and were subject to extra attention from police. In 1969, Erickson was arrested for possession of one marijuana joint in Austin. Facing a ten-year prison term, Erickson pled not guilty by reason of insanity. He was first sent to the Austin State Hospital. After several escapes, he was sent to the Rusk State Hospital for the Criminally Insane, where he was subjected to more electroconvulsive therapy and Thorazine treatments, ultimately remaining in custody until 1972.

Bleib Alien years

When released from the state hospital, Erickson's mental outlook had changed. In 1974, he formed a new band which he called Bleib alien, Bleib being an anagram of Bible and/or German for Stay, and "Alien" being a pun on the German word "Allein" ("alone") - the phrase in German therefore being "Remain alone". His new band exchanged the psychedelic sounds of The 13th Floor Elevators for a more heavy metal sound that featured lyrics on old horror film and science fiction themes. "Two Headed Dog (Red Temple Prayer)" (produced by The Sir Douglas Quintet's Doug Sahm) was released as a single.

The new band renamed itself Roky Erickson and the Aliens. In 1979, after playing with the Reversible Cords on May Day at Raul's, Erickson recorded 15 new songs with producer Stu Cook, former bass player of Creedence Clearwater Revival. These efforts were released in two "overlapping" LPs — TEO/CBS UK, and The Evil One/415 records. Cook also played bass on two tracks, "Sputnik" and "Bloody Hammer." Roky also performed with The Nervebreakers as his backup band at The Palladium in Dallas in 1979. A recording was issued on the French label New Rose and was recently re-issued elsewhere. In 1982, Erickson asserted that a Martian had inhabited his body. He later reported to friends that aliens were coming to Earth to harm him, and asked a Notary Public to witness an official declaration that he was himself an alien, hoping that this would convince the aliens to leave him alone.

Creative decline and renewed interest

In an unmedicated state, Erickson began a years-long obsession with the mail, often spending hours poring over random junk mail, writing to solicitors and celebrities (dead or living). He was arrested in 1989 on charges of mail theft. Erickson picked up mail from neighbors who had moved and taped it to the walls of his room. He insisted that he never opened any of the mail, and the charges were ultimately dropped.

Several live albums of his older material have been released since then, and in 1990 Sire Records/Warner Bros. Records released a tribute album, Where The Pyramid Meets The Eye produced by WB executive Bill Bentley. It featured versions of Erickson's songs performed by The Jesus and Mary Chain, R.E.M., ZZ Top, Julian Cope, Butthole Surfers, Bongwater, John Wesley Harding, Doug Sahm and Primal Scream. According to the liner notes, the title of the album came from a remark Erickson made to a friend who asked him to define psychedelic music, to which Erickson reportedly replied "It's where the pyramid meets the eye, man!" (the quote is also a reference to the Eye of Providence).

Return to music

In 1995, Erickson released All That May Do My Rhyme on Butthole Surfers drummer King Coffey's label Trance Syndicate Records. Produced by Texas Tornado bassist Speedy Sparks, Austin recording legend Stuart Sullivan and Texas Music Office director Casey Monahan, the release coincided with the publication of Openers II, a complete collection of Erickson's lyrics. Published by Henry Rollins's 2.13.61 Publications, it was compiled and edited by Casey Monahan with assistance from Rollins and Erickson's youngest brother Sumner Erickson, a classical tuba player.

Sumner was granted legal custody of Roky in 2001, and established a legal trust to aid his brother. As a result, Roky received some of the most effective medical and legal aid of his life, the latter useful in helping sort out the complicated tangle of contracts, which had reduced royalty payments to all but nothing for his recorded works. He also started taking medication to control his schizophrenia.

A documentary film on the life of Roky Erickson titled You're Gonna Miss Me was made by director Keven McAlester and screened at the 2005 SXSW film festival. In September of the same year, Erickson performed his first full-length concert in 20 years at the annual Austin City Limits Music Festival with The Explosives.

In the December 30, 2005 issue of the Austin Chronicle, an alternative weekly newspaper in Austin, Texas, Margaret Moser brings up to date the story of Erickson's recovery with the aid of his brother Sumner. According to the article, Roky weaned himself off his medication, played at 11 gigs in Austin that year, obtained a driver's license, owns a car (a Volvo), voted the previous year, and planned to do more concerts with The Explosives in 2006.

In 2007, Erickson played his first ever gigs in New York City, as well as California's Coachella Festival and made a stunning debut performance in England to a capacity audience at the Royal Festival Hall, London. Roky continued to play in Europe, performing for the first time in Finland at Ruisrock festival. According to the article in Helsingin Sanomat 8 June 2007, the performance was widely considered the highlight of the festival day.

According to an interview on Sound Opinions on Chicago Public Radio with You're Gonna Miss Me director Kevin McAlester (7/24/07), Erickson is currently working on a new album with Billy Gibbons, singer and guitarist of ZZ Top, and a longtime admirer of Erickson; Gibbons' earlier band The Moving Sidewalks had a hit with "99th floor", which was a tribute of sorts to the Elevators.