THE MUSIC BLOGGING HIVE MIND

Jazz and Poetry for a Rainy Monday

Posted over 2 years ago
This morning I was reading Nine Horses, a collection of poetry by Billy Collins, and I ran across a poem called "Tipping Point," which was inspired by the music of Eric Dolphy.Here's the poem, and there is some sample music at the link provided below. “Tipping Point,” by Billy CollinsAt home, the jazz station plays all day,So sometimes it becomes indistinct,Like the sound of rain,Birds in the background, the surf of traffic.But today I heard a voice announceThat Eric Dolphy, 36 when he died,Has now been dead for 36 years.I wonder ---Did anyone sense somethingWhen another Eric Dolphy lifetimeWas added to the span of his life,When we all took another Full Dolphy step forward in time,Flipped over the Eric Dolphy yardstick once again?It would have been so subtle ---Like the sensation you might feelAs you passed through the momentAt the exact center of your lifeOr as you crossed the equator at night in a boat.I never gave it another thought,But could that have been the little shiftI sensed a while agoAs I walked down in the rain to get the mail?http://db.cs.berkeley.edu/jmh/music/dolphy.htmlhttp://www.salon.com/05/reviews/dolphy.html

Comments (5)

  1. extraordinarypoems says Here's an Amazon review, as well: "Eric Dolphy was among the most daring, impassioned, and technically assured improvisers to come of age in the 1960s. From his groundbreaking work with Chico Hamilton and Charles Mingus, through his catalytic stint with John Coltrane, and all through his brilliant solo recordings for Prestige, this reed innovator defined the best elements of the swing and the bebop traditions, from Benny Carter through Bird, while extending on the rhythmic, melodic, and harmonic freedom of Monk. Dolphy is an emotional shaman with a keen comic edge, as is evident in the rhythmic sauntering, drunken gait of his theme to "Straight Up and Down," and Monk's influence is clearly discernible in Dolphy's witty dissonances and vocalized blues phrasing throughout Out to Lunch! (his only Blue Note recording, completed shortly before his untimely death). Rhythm masters Richard Davis, Bobby Hutcherson, and Tony Williams suspend time at will, sculpting in open space, while deconstructing the harmony and superimposing cubist rhythmic displacements--periodically regrouping around Freddie Hubbard's bumblebee trumpet and the leader's vocalized bass clarinet (his Monkish "Hat and Beard"), wailing alto (the martial parodies of the title tune), and exhilarating flute (the lyric, swinging "Gazzelloni"). Out to Lunch! represents Dolphy's most fully realized vision. --Chip Stern"
    Permalink posted 01/08/2007
  2. steve simon says this is right up my alley!
    Permalink posted 01/08/2007
  3. extraordinarypoems says I'm so glad, Steve. Are you into Billy Collins' poetry? Or just the jazz?
    Permalink posted 01/08/2007
  4. steve simon says thepoetry was nice, but i meant the jazz
    Permalink posted 01/08/2007
  5. extraordinarypoems says Ah. Okay. :>)
    Permalink posted 01/08/2007

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