romance the thought of leavin it all behind
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Haven't bought 'Ye's new album. I don't really like what I've heard from it so far. All the hype about it got me to stick Late Registration back in my player though, and I finally figured out why it is I love "Gone" (track 19)."Gone" kicks off with a vocal and piano samples from Otis Redding's rendition of "It's Too Late." These volley back and forth with Jon Brion composed classical-styled string samples. And of course, all of this is mixed with head-nod-inducing syncopated beats. So right there, you've got something interesting. Add to that three separate narratives by 'Ye, Cam'Ron, and Consequence. The verses share similar themes of hustling as a need (on some level, be it drugs or music) and the desire to escape the hustling life. The flow of each MC is distinct. Cam'ron has a staccato rhythm to his rhymes, while Consequence is smoother. Kanye mixes his verses up stylewise, but keeps his signature drawl throughout. Lyrically they're all playful: Cam'Ron manages to rhyme gorilla with chinchilla; Consequence somehow fits "gone" into his 20-line verse 19 separate times; and Kanye's got his zingers "Aaron love the raw dog, when will he learn / Caught somethin on the Usher tour he had to 'Let it Burn'" and the oft cited "But if they ever flip sides like Anakin / You'll sell everything includin the mannequin / They got a new bitch now you Jennifer Aniston."And keeping the tone light keeps the subject in perspective. In a song that's ultimately about striving to be successful, despite the shit that life throws at you (Cons' "I been pourin out some liquor for the fact that my pal's gone / And tryin to help his momma with the fact that her child gone"; Cam: "Yes I know you wanna see my demise / Yeah you church boy actin like a thief in disguise"; 'Ye: "What the summer of the Chi got to offer an 18-year-old / Sell drugs or get a job, you gotta play gyro"), they keep the song substantive, yet breezy. No easy feat.And to top it all off, it's catchy.



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