What is Jazz? (pt2)

Posted about 4 years ago

On October 15, 1955, Leonard Bernstein offered as part of the celebrated Omnibus television series, a program entitled "What is Jazz".

The program quickly became the stuff of legend- so much so, in fact, that when comedian Sid Caeser lampooned it on his Show of Shows over a year later, everybody still got the joke.

But there was other, deeper evidence of the degree to which people responded to the broadcast- witness the release of an album by the same name that took Bernstein's narrative and presented it in "guaranteed high fidelity in 360 hemispheric sound", the publication of Bernstein's script in his collection of writings The Joy Of Music, and the even more recent release of the videotape of the broadcast itself.

While Mr.Bernstein can speak for himself- and does, with his typical eloquence- as to his perspective on jazz and jazz making, the method of his program was extraordinarily innovative, combining prerecorded performances with "live" presentations to garner insights not only into jazz as music but jazz as musical process.

Key to Bernstein's presentation is the combination of musical exemple with narration; as the listener will note, music and narrative become all of a piece in Bernstein's hands.

The result is an unusually eclectic performance, combining elements of blues (represented by Bessie Smith and Leadbelly) with Dixieland, ragtime, cool and other jazz forms to offer a surprisingly succinct and cogent overview of jazz music. ...from the original LP notes.

Comments (6)

  1. Spike says I enjoyed that. So, who has come up with a tune as good as "Sweet Sue" since listening to this?
    Permalink posted 01/21/2008
  2. Bartleby says This series is so good, it should be made available for children at school - free for them to listen on their mp3 player. Improvisation makes jazz... So I guess "Sweet Sue" is a happy accident.
    Permalink posted 01/22/2008
  3. Spike says Here are two versions of "Sweet Sue, That's You." The first is the Mills Brothers from 1932. Just four guys and a guitar. What sounds like other instruments is actually their vocal impressions. ~4h814v7nhRC.mp3~ The second is by Miles Davis from 1956, featuring John Coltrane on tenor sax, Red Garland on piano, Paul Chambers on bass and Jimmy Cobb on drums. As I was digitizing this to be in this comment, I noticed that in the liner notes of my 1973 LP _Basic Miles: the Classic Performances of Miles Davis_ that this recording was in the LP that came out of _What Is Jazz_! The notes say, "From the intro on, the improvisations are based on Miles' own series of chords based only on the original harmonies of 'Sweet Sue.' It is pure jazz." I must confess, this is not one of my favorite Miles Davis cut, but at least it shows how different one group's version can be from another's. In fact, I wouldn't have recognized it as "Sweet Sue" had I not read it. ~PKsUxrAZ182.mp3~
    Permalink posted 01/23/2008
  4. Bartleby says Again, you amaze me with every comments and post that you make. My note about "happy accident" was just a jest. Thanks for these two version. Your two cuts aptly illustrate what jazz is about: an embroidery on popular tune but this improvisation becomes a piece which stands on itself.
    Permalink posted 01/23/2008
  5. Spike says Sometimes I can't help it.
    Permalink posted 01/23/2008
  6. dimitra says pleeeeeaseeeeeeee....be my (our) guest Spike !
    Permalink posted 01/23/2008

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