
Well it's Ninth and HennepinAll the doughnuts have names that sound like prostitutesAnd the moon's teeth marks are on the skyLike a tarp thrown all over thisAnd the broken umbrellas like dead birdsAnd the steam comes out of the grillLike the whole goddamn town's ready to blow...And the bricks are all scarred with jailhouse tattoosAnd everyone is behaving like dogsAnd the horses are coming down Violin RoadAnd Dutch is dead on his feetAnd all the rooms they smell like dieselAnd you take on the dreams of the ones who have slept hereAnd I'm lost in the window, and I hide in the stairwayAnd I hang in the curtain, and I sleep in your hat...And no one brings anything small into a bar around hereThey all started out with bad directions
And the girl behind the counter has a tattooed tear"One for every year he's away", she saidSuch a crumbling beauty, ahThere's nothing wrong with her that a hundred dollars won't fixShe has that razor sadness that only gets worseWith the clang and the thunder of the Southern Pacific going byAnd the clock ticks out like a dripping faucet'til you're full of rag water and bitters and blue ruinAnd you spill out over the side to anyone who will listen...And I've seen it all, I've seen it allThrough the yellow windows of the evening train...
Artist Spotlight: The Punks
Influenced by bands such as The Underdogs, Unrelated Segments, Velvet Underground, MC5, The Stooges, SRC, early Alice Cooper, and Blue Cheer, The Punks represented the answer and contribution to the demise of the late great 60's era, especially in and around the Metro Detroit area. After 1970 or so, the Detroit scene died, so the punks geared up and decided to make their own noise.Guitarists Steve Rockey, Alan Webber or bassist Rod McMahon. Lead singer "Frantic", a/k/a William Kuchon, took care of the craziness. Loud and aggressive music, fast and rockin', at times slow and heavy with nontraditional guitar interactions of feedback/wah wah/distortion mixed with driving bass runs and an atomic bomb relentless backbeat.
Comments (5)