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SWING LOW CHARIOT, COME DOWN EASY, TAXI TO THE TERMINAL DOOR

Posted about 1 year ago
Rock's one true Poet Laureate at his best.This amazing song alone would have fixed **Chuck Berry's** place in both the Rock n Roll canon and the Great American Songbook.And he paints us a clear picture of a time gone by, before the country was criss-crossed by superhighways and bombarded by the angry screech of the mass media,This was a time of back roads and small towns. A time when magical big cities beckoned, impossibly far away. A time when a cross country trip was an adventure, not a bore.And he does all this in the personna of the Po' boy on the line, in the natural easy cadence of every day speech, yet it scans so well. The mellifluous flow, the way the rhytmic patterns of the words, interlocking and playing off each other, serve to accentuate the storyline.I've heard so many people do this song, from the Dead, to The Band, and so many others. And they're all good, you realy can't kill this song, But Chuck's is my favorite by three lightyears and a football field. His reading has that bemused, wry Berry humor, that wide-eyed yet world weary perspective of a poet.

Comments (17)

  1. zarpex says Utterly stunning lyrics. Your analysis of them is unimpeachable, particularly your observation that although their meter is flawless (well, "Alabam" might be a very forgivable cheat), they have the simplicity of ordinary speech - any one line could easily be used in a conversation about traveling in America and no one would blink. I think "Rock's one true Poet Laureate" is a bit overexcited (and if, God forbid, the iTunes shuffle started up "My Ding-a-Ling" just as you'd said that at a cocktail party, might draw laughs), but defensible. I can't think of a lyricist to rival him until Dylan showed up, but, then again, the 50's were not the golden age of rock lyrics. And that guitar. I wish he hadn't quoted "Johnny B. Goode" in the intro, but otherwise, it's like his hands have a separate (but cooperative) musical consciousness of their own. I know several guitarists who can do Chuck Berry quite well, but I don't think I know any that can do it while working a crowd and singing. Let alone duckwalking.
    Permalink posted 01/19/2008
  2. deadmandeadman says zarpex, an interesting observation concerning Chuck Berry's _cover_ of **My Ding-a-ling** , but in discussing Dylan, I'd hope no one would bring up **Wiggle Wiggle**. But I think that misses the point a bit. The few instances of 'poetic license' (_ala carty_) work on different levels within the context of the song. And I'll stand by my Poet Laureate assertion. Just by shear percentages. What percentage of his songs are certifiably, consensus classics? No one else comes close (the Beatles excluded).
    Permalink posted 01/19/2008
  3. Permalink posted 01/19/2008
  4. FastRMacR says Hear! Hear! Hail, Hail, Rock 'n Roll! Oh I think the 50s were the Golden Age - some good lyrics there - Buddy Holly ... Carl Perkins .. simple and true and only one little, unfettered goal. Berry is _still_ workin' the circuit - drivin himself and his Gibson in his Cadillac. What an icon! I think it all starts with this man. Was there really anything before him? Guitar, I can only think of Charlie Christian - who was good fuel for Chuck to learn the duckwalk and buy the Gibson! (It's also my belief that the magic resides back in the small towns these days). Great post! Nice Americana - perfect. :-) I bet he's on that football field tomorrow!
    Permalink posted 01/19/2008
  5. deadmandeadman says MacR, So right you are. >the first rock guitar god >singer/songwriter >An early punk >The ultimate DIYer The rock n roll landscape would be vastly different if not for Chuck, nowhere near what it is.
    Permalink posted 01/19/2008
  6. zarpex says Fast: I've nothing against 50's music necessarily; it just wasn't as fertile a period for lyrics as we've enjoyed since - as you said: "some good lyrics there." I must also confess I haven't listened to any of Charlie Christian's stuff that I'm aware of. After many, many fruitless attempts reach an amicable understanding with jazz, I chose to exclude it from my listening about ten years ago, and have never regretted it. But Charlie Christian ??duckwalked??? dm: "My Ding-a-Ling" was a cover? Wow; it's like someone sat down and decided to write a bad Chuck Berry song. But fair enough; ya got me. Perhaps my praise for him wasn't quite extravagant enough. I'll buy a prayer rug this afternoon. Damn straight, though: Chuck Berry ??was?? the first rock guitar god. He ??was?? the first singer/songwriter. I don't know if I'd say he was an early punk, but the members of The Ramones bonded - overcoming a lot of personal friction - over their adoration for Chuck Berry. I've never understood what exactly is meant by a "DIYer," so I'll suspend judgment on that one. But I notice you left out "inventor of rock'n'roll"...
    Permalink posted 01/19/2008
  7. deadmandeadman says King of Rock n Roll
    Permalink posted 01/19/2008
  8. dermahrk says Although I was alive in the 50s, I was more concerned with toys and peanut butter than rock 'n' roll. But I have to agree that there is a certain vibrancy in the great music from that era that is much too often lost in modern times. Everything has been done to death, and some of the new popular genres that have arisen to take rock 'n' roll's place in the public marketplace generate only scorn from me. DMDM, I was in the writer's workshop at U of I for three years, studying poetry (Ivylander was doing prose), yet you are much more poetic than I. Kudos.
    Permalink posted 01/20/2008
  9. Bartleby says The post and comments are of such high calibre that I'll just acquiesce and listen to the flow of Chuck's delivery. (DMDM, Jonh would certainly agree with you. http://mog.com/Jonh_Ingham/blog_post/119055 )
    Permalink posted 01/20/2008
  10. deadmandeadman says I am flattered by the praise, demahrk, but you do exhibit the poet's sense of hyperbole, don't sell yourself shorts. (especially in this weather)
    Permalink posted 01/20/2008
  11. zarpex says By the way, dm; you asked a question earlier which I rudely left unanswered - and a pretty good question too (although it doesn't necessarily pertain to his status as a lyricist): "What percentage of his songs are certifiably, consensus classics?" On allmusic.com (a wonderful resource), if you click on "songs" under any given artist's profile, it will list not all their songs, but the standouts (I'm not always sure which are "certifiably, consensus classics," so I thought this would be a fairly objective place to look). They have it at 26. He has 25 original albums, according to the same source, and although I couldn't quite make the effort to count how many songs are on each one, it's probably about 15. 25 x 15 = 375, of which 26 would make just under 7%.
    Permalink posted 01/20/2008
  12. FastRMacR says 100% by my RnR consensus. ;-) "Roll Over Beethoven" is on page 1 in the book. "Get that Classic off the chair and dig these Rhythm and Blues." Simple and to-the-point like his playing. Chuck's entire stage process was nothing shy of the alternative stage iconoclast Presley - each man opening the stage 'potential' to RnR like they were cracking the Hoover Dam! Man have you ever heard Jimi Hendrix doing "Johnny B. Goode" at Berkeley? Talk about Jimi be good! Or pre-Cavern Beatles rollin' over the place. Roots play deep! Zarpex, I believe "fertile period" would imply seeds (so to speak) - perhaps even a _field_ for the 'plantings' to take hold. The only guitarist in time - only by a skosh - would be Bill Haley. Haley and his Comets were about a new sound and rockin the Clock, for sure, but it was Berry who really 'changed' the territory. I may have mentioned Charlie Christian too casually. Times are times - Goodman wouldn't have let Charlie take a duckwalk in front of his band, but he certainly gave the guitarist some good room to stretch. Christian took that instrument and made his new licks 'heard in front of' that big swing sound. He also died very young which fuels the 'influential' idea. I just know Berry heard those sounds (and his own current rumblings) and decided to pick up where a young black man might in those days. God bless him! He sat under that tree like Newton by the railroad track and created a revolution! Hmmm - I have some post ideas now. Thanks again, DMDM. :-)
    Permalink posted 01/25/2008
  13. deadmandeadman says FastRMacR, your way with words is to be envied.
    Permalink posted 01/25/2008
  14. FastRMacR says Words are a bitch, brother! LOL Thank you. I must say I can think of many others here that blow me away (like everyone on this thread). Envy should be for guys like Swift, or Joyce, or Twain ... (and envy is a seven deadly so I dunno bout that). Humble pie this lit'l 'ol me, tho, and please sir, call me Steve. :) All the worth it for one of our mog's poet laureates poetically pondering the powerful poetry of the past's most perfect poet laureate and pervasive punk! :p
    Permalink posted 01/25/2008
  15. deadmandeadman says (aw shucks) (i think)
    Permalink posted 01/25/2008
  16. FastRMacR says Well perhaps I went a bit much with the 'laureate' - but a true poet when your music's rockin'. :) (I think) I best avoid too much political banter - my words may get me in trouble (too much monkey business). Best for me to just shut up n play my guitar sometimes!
    Permalink posted 01/25/2008
  17. Spike says I'm guessing that Roy Acuff and His Smoky Mountain Boys' late-1930's hit version of "The Wabash Cannon Ball" gave Chuck Berry the melody for "The Promised Land." A.P. Carter had written the song, and the Carter Family had recorded it in 1928.
    Permalink posted 01/28/2008

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