THE MUSIC BLOGGING HIVE MIND

Les Paul Creative Genius with a Midas Touch of Class

Posted over 2 years ago
So I watched the PBS series American Masters - Les Paul: Chasing the Sound with my jaw in my lap. I knew a few facts about Les Paul - that he was the inventor of the solid body electric guitar (even though people sometimes think it was Fender, Pauls hollow body was actually a 4x4 with false attachments that made it look like a hollow body). But I was suprised to find out that he was an innovator of multi-track recording and portable recording. Not only that but he has played with just about all of the most important musicians of the 20th century. To say his influence to music is major is to put it mildly. His style can hit on elements of Jazz (he was hugely influenced by Django Rheinhardt), country (Gene Autrey gave him his first big break), along with one of the most impressive ears for melody and tone that I have ever heard.
I have been enlightened to say the least. Years ago as a teen, I had been interested in hearing his music, and put on an album of he and Mary Ford, and was immediately turned off,perhaps the fact that it sounded "old timey" made me shut myself off from enjoying it. While watching the program I was blown away hearing Mary Ford's voice pour out of the T.V., so smooth you feel as if you listened to her voice too much. Together they are the perfect pairing of guitar virtuosity and vocal perfection, both bringing the best out of each other as musicians. A part of me fell in love with Mary ford the same way it did with Patsy Cline the first time I listened to her. Sorrow floating on the tip of beauty's wings.
I try not to throw the term genius around too much, because I honestly believe that A.) true genius are more often than not live tortured existence in which that genius comes from B.) There are a lot of people that are just plain good at what they do, and get way too much credit for it. While I think the Beatles were very very very good at what they do, individually I have been hard pressed to find any of them as genius, but together collective genius. Bob Dylan is at the very least a genius of song writing (even though I consider him genius, if debated on this topic, I would site him as genius here). You see my point, so with all that said and done, Les Paul is a genius. Yes, I too, can sometimes be a master of the obvious.
You may not come across too many people in your lifetime that seem to effortlessly accomplish things and change them in the process, but watching Chasing The Sound, I am convinced that Mr. Paul is the musical equivalent of King Midas (minus those nasty moral repercussions), and managed to shape and change every area (for the better) that he ventured into.

Comments (7)

  1. The Serenity Vortex says I've got to check that out, loads of good music history stuff of late.
    Permalink posted 07/14/2007
  2. thill says I enjoyed the show a lot but I felt like it just sort of short changed his life from the late 50's on...I felt a bit robbed by the short little overview they gave of him w/ people like Eddie Van Halen, etc. I thought way too much was spent on his career with his wife and how then music changed and overnight his career and marriage was over. Did make me want to get some Les Paul and Mary Ford recordings though.
    Permalink posted 07/14/2007
  3. contrabandwidth says I guess it did kind of skip from the arrival of Rock n' Roll to the "Chester and Lester" album, but I 'm pretty sure he just kept truckin along. In the 70's Johnny cash still played over 300 concerts a year, but you didn't see that in Walk The Line, probably because at some point it just looks like work, and it is sometimes, despite how much the artist enjoys doing it. It just doesn't make for a great story when they say "and he played "How High The moon" again. It's like reading biographies about prolific writers, if 75% of their life is devoted to writing, then their biography is really not going to be to interesting. Just my thought on it.
    Permalink posted 07/14/2007
  4. Jonh Ingham says Just before I moved from my previous house, the new-ish neighbour came around. He's a consultant to art galleries, could be considered pompous and pseudo-intellectual but was always interesting and in a conversation about blues playing said out of nowhere, 'When I was writing my book on the history of the electric guitar and I interviewed Les Paul...; Whoa! Back up! It turned out he cold-called Les, who agreed to meet him at the bar of the local Holiday Inn. Les walks in and casually throws The Plank (as the 4x4 was called) on the table and says,'Well there it is.' I got a picture of a man who liked a drink, wasn't too concerned about his legacy, and who knew a hell of a lot about music and recording. He's now over 90 and still working. I know what you mean about Les Paul and Mary Ford sounding old-timey. It wasn't until a couple of years ago I heard 'How High The Moon' and realised how funky the solo is. No wonder every guitar hero holds him in awe.
    Permalink posted 07/14/2007
  5. contrabandwidth says If your familiar with the cartoon Ren and Stimpy, the theme song has a style reminiscent of Les Paul playing, so hearing a lot of his music just fills me with joy, much the way that wonderfully absurb show did back in the 90's.
    Permalink posted 07/15/2007
  6. Bartleby says There are not many whose names have become a noun. Les Paul is one of them. In terms of popular culture, that's quite something. I don't know much about genius but whenever I hear/read the word those words of Claude Monet come to mind: "Genius does what it can, Talent does what it want." (In French: "Le génie fait ce qu'il peut, le talent fait ce qu'il veut") I'll let mull over that.
    Permalink posted 07/16/2007
  7. contrabandwidth says Great words to contemplate. I'll be tossing that around in my head all night.
    Permalink posted 07/16/2007

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