SOUNDS OF FUTURE PAST AND PRESENT PERFECT

Ubu Web is All Avante Garde, All The Time [Insert Atonality Joke here]

Posted about 1 year ago

On Friday, I posted a great link to a Ronald Newman film of Andy Warhol's Exploding Plastic Inevitable on Ubu web. Well, I didn't have the time to check it out further until today. I'm happy to say it's an incredible resource of films of artists and performers that many people wouldn't have access too.Since this is such a find, and I saw there was a serious lacking of Meredith Monk here on Mog, I found this little piece on Ms. Monk from seminal director, Peter Greenaway's, film 4 American Composers, of which I owned on VHS, but have lost in subsequent moves.
Here's what wikipedia says about Meredith Monk:"Meredith Monk is primarily known for her vocal innovations, including a wide range of extended techniques, which she first developed in her solo performances before forming her own ensemble. In 1964, she graduated from Sarah Lawrence College and in 1968 she founded The House, a company dedicated to an interdisciplinary approach to performance.Monk's performances have influenced many artists, including Bruce Nauman, whom she met in San Francisco in 1968. In 1978 Monk formed Meredith Monk and Vocal Ensemble (modelled after similar ensembles of musical colleagues such as Steve Reich and Philip Glass) to explore new and wider vocal textures and forms which often were contrasted with minimal instrumental textures. Pieces from this time include Dolmen Music (1979), which also was recorded for her first album released at Manfred Eicher's record label ECM in 1981.In the 1980s, Monk wrote and directed two films, Ellis Island (1981), and Book of Days (1988), which developed from a single idea; "One day during summer of 1984, as I was sweeping the floor of my house in the country, the image of a young girl (in black and white) and a medieval street in the Jewish community (also in black and white) came to me", as Monk recounts in the liner notes of the ECM-recording. Apart from the film, different versions exist of this piece; two for the concert hall, and an album, produced by Meredith Monk and Manfred Eicher as "a film for the ears."In the early 1990s, Monk composed an opera called Atlas, which premiered in Houston Texas in 1991. She has also written pieces for instrumental ensembles and symphony orchestras. Her first symphonic works were Possible Sky (2003) and Stringsongs (2004), which was commissioned by the Kronos Quartet. In 2005, events all over the world were celebrating the 40th anniversary of her career, including a concert in Carnegie Hall, featuring Björk, the composers Terry Riley, DJ Spooky (who has sampled her on his album Drums of Death), and John Zorn and the new music ensembles Alarm Will Sound and Bang on a Can All-Stars, along with the Pacific Mozart Ensemble.Monk has won many awards, including a MacArthur Fellowship, and she holds honorary Doctor of Arts degrees from Bard College, the University of the Arts (Philadelphia), The Juilliard School, the San Francisco Art Institute and the Boston Conservatory.Her music was used in films by the Coen Brothers (The Big Lebowski, 1998) and Jean-Luc Godard (Nouvelle Vague, 1990 and Notre musique, 2004).In a recent interview she said that her favourite music includes Brazilian music, especially Caetano Veloso's recordings, the music by Mildred Bailey ("the great jazz singer from the ‘30s and ‘40s"), and Bartók's cycle for piano Mikrokosmos.
--I'll upload a track later for your further listening pleasure.--
And here is a link to the index of artists featured on Ubu.com

Comments (7)

  1. Bartleby says Name checking: Kronos Quartet, Terry Riley, John Zorn, Mildred Bailey, Bartok... My, it sounds so much like an ex MOGGER and professional composer's wish list for an improbable concert. Ubu Web is a real treasure. I can spend hours and hours on this. - Which means it is most dangerous for procrastination-prone people like me. So readers of Contra's page, you've been warned.
    Permalink posted 12/17/2007
  2. contrabandwidth says I went to art school to have access to films like these. Yet one more thing "devalued" by the internet. Thank god. I'll also pat myself on the back for figuring out a hack on how to post their video here, which offered no embed code.
    Permalink posted 12/17/2007
  3. Mike the Knife says Happy to see this post, contra. I've always believed that these people are nothing short of amazing - and the more MOGgers who encounter them, the better.
    Permalink posted 12/17/2007
  4. ciphermedia says Ubu Web is very cool, and there's such great stuff there. I haven't really had time to explore much of it though. I too went to Art School (25 years ago) and did an experimental sound course there, which introduced to me to a lot of amazing music/noise making. I hadn't heard of Meredith Monk before, so this is much appreciated. Thanks Contra.
    Permalink posted 12/18/2007
  5. contrabandwidth says I actually got to meet her after she did a performance at Agnes Scott College in Decatur, GA. She was so nice and gracious to have people come out and see her. The performance had to be scaled down due to the space she performed in, and she was very apologetic for having to re arrange the show a bit, but so approachable. My friend who was a long time fan was clearly nervous to meet her, and brought lots of hard to find recordings. Having not been as familiar, she was just very friendly and nice and genuinely touched to talk to someone who was so familiar with her body of work. I've found artists like Monk are usually very grateful in this day and age, for anyone outside of New York who comes and takes a chance on their performance (as challenging as they may be at times). Cipher - I took some "noise" courses too, and they were by far some of the best classes I had, since they were so open to you creating something out of a microphone and a sound editing program. Perhaps I'll post one someday, if I'm not feeling vulnerable.
    Permalink posted 12/18/2007
  6. ciphermedia says You obviously did your course much more recently than mine. I'm not sure the word software had even been invented when I was doing my sound course. It was all about splicing tape, analogue synthesisers, pitch change & tape loops when I was there!
    Permalink posted 12/18/2007
  7. contrabandwidth says We had a wonderful steward of new and old equipment running our studio named Don - some analog synths with the pitch controls and patch cables, and we had Mac's with Sound Edit 16 (which shows my age a little more). The best thing was that he would teach us about Musique Concrete and other early innovators in recording, and then just briefly show us how to use the equipment, and let us do our work. Don was a geek in the truest sense of the word, but he knew both about art and technology, which a lot of the teachers at my school didn't. He straddled both world amazingly.
    Permalink posted 12/18/2007

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