Lou Rawls
Natural Man/Classic Lou
Play Natural Man/Classic Lou
-
MOG Editorial Review
It's hard to pinpoint the soulful, shape-shifting sounds of Lou Rawls, but the combination of these two '70s classics manage to give you a taste for the iconic singer's penchant for everything from swing to R&B to gospel in the span of 15 glorious jams. While the title track to Natural Man kicks things off with a standard R&B beat and Rawls' distinct vocals, the rest of the album features a soulful take on the Beatles ("Got to Get You Into My Life"), jazzy lounge tracks ("When I Fall in Love"), and gospel ("His Song Shall Be Sung"). While these two albums only scratch the surface of Rawls' genius, it will be more than enough to make you eager to discover the rest of his catalog.
-
AMG Review of Natural Man/Classic Lou
William Ruhlmann
All Music GuideLou Rawls' tenure at MGM Records, which is chronicled on this compilation, was relatively brief (lasting less than three years) and not particularly successful. It began well with the Top 20 pop, soul, and easy listening chart success of "A Natural Man" in the fall of 1971, but then declined commercially, although the Natural Man LP and its 1972 follow-up, Silk & Soul, made the pop and soul charts, the latter producing a soul-singles chart entry in "His Song Shall Be Sung"; "Walk on In" from the third MGM LP, A Man of Value (1972), made the easy listening charts. Before leaving MGM, Rawls also recorded a concert album, Live at the Century Plaza (1973), and contributed a song to the soundtrack of the film #Soul of Nigger Charley (1973). This material is the source of the 15 tracks on Natural Man/Classic Lou, and it results in a representative collection covering the eclectic range of styles in which Rawls has always performed. Relying on his deep, rich voice, he sings with confidence everything from the bluesy "I'm a King Bee" and the Beatles cover "Got to Get You into My Life" to Duke Ellington's jazz ballad "Sophisticated Lady." The selections from Live at the Century Plaza include re-recordings of Rawls' hits, like "Love Is a Hurtin' Thing" and "Dead End Street." This album is a portrait of the artist in transition from his early, sometimes gritty Capitol Records period of the '60s to his creamier Philadelphia International Records period of the '70s. It isn't essential Lou Rawls by any means, but it is typically enjoyable, and it fills a gap in his CD catalog.








Locating MOG account...