O.V. Wright
The Soul Of O.V. Wright
Play The Soul Of O.V. Wright
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MOG Editorial Review
Under appreciated despite being of a similar caliber to soul music titans like Al Green, the tracks found on The Soul of O.V. Wright will feel as familiar as they do mind-blowing. While Wright's massive voice seems best-suited for ballads like "Everybody Knows (The River Song)" on first glance, this retrospective shows that his voice actually provides a breath of fresh air to the typical party-starting soul sound on "I Don't Want to Sit Down." Still, Wright's voice was so powerful that he could transform any song into an touching classic, and slow jams like "Born All Over" show that Wright captured the essence of soul music in a way few of his peers ever could.
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AMG Review of Soul of O.V. Wright
Stewart Mason
All Music GuideThe Soul of O.V. Wright isn't fancy, but it gets the job done. In that way, this solid 18-track compilation is just like its subject, one of the most underrated deep soul singers of his era. Although the Houston-based Wright had the grit of Otis Redding (minus Redding's occasional tendency to oversing) and the spiritual grace of Sam Cooke's pre-secular work, Wright only managed a couple of major hits on the R&B charts, and not even his best single, 1965's startling, Ray Charles-like ballad "'You're Gonna Make Me Cry,'" crossed over to the pop charts. Regardless, all 18 tracks here are sublime deep soul, from the testifying swing of his first single "'I Don't Want to Sit Down'" to his remarkable work with Willie Mitchell in the '70s. ("'I'd Rather Be Blind, Crippled and Crazy'" is every bit the equal of any of Mitchell's better-known work with Al Green from the same period.) There is plenty more to savor where this came from, but The Soul of O.V. Wright is a terrific introduction to this amazing performer.
 "The Soul Of O.V. Wright")
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