AMG Review of Chapter Two: The Best of the Fontana Years

Richie Unterberger
All Music Guide

The departure of Paul Jones for a solo career in 1966 spelled major reorganization for Manfred and his troops, who recruited lead vocalist Mike D'Abo and bassist (and Beatle chum) Klaus Voormann. To the surprise of many, the new lineup rattled off seven Top Ten British hits in the next three years in a far less R&B-oriented style. Emphasizing harmonies and Manfred Mann's inventiveness as arranger and keyboardist (often employing the then-futuristic Mellotron), this represented the group's most commercial phase, with an upbeat approach that bordered on downright chipper. These 20 tracks include all the key singles from this time, as well as a few LP cuts. Frankly, this rather lightweight, prototypically cheery late-'60s British pop -- sounding rather like a more commercial version of the Odessey & Oracle-era Zombies -- hasn't aged nearly as well as their far gutsier Paul Jones-era recordings. Only one of these songs was a hit in the U.S., but it was a big one: their great 1968 arrangement of the then-unreleased Bob Dylan song "The Mighty Quinn."