Xtrmntr (Parental Advisory) Free MP3, Song Download, Lyrics, Album Track List

Xtrmntr (Parental Advisory)

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Song	Lyrics	Save	Buy
PLAY QUEUE 1 Kill All Hippies		save
PLAY QUEUE 2 Accelerator		save
PLAY QUEUE 3 Exterminator		save
PLAY QUEUE 4 Swastika Eyes (Jagz Kooner Mix)		save
PLAY QUEUE 5 Pills		save
PLAY QUEUE 6 Blood Money		save
PLAY QUEUE 7 Keep Your Dreams		save
PLAY QUEUE 8 Insect Royalty		save
PLAY QUEUE 9 Mbv Arkestra (If They Move Kill Them)		save
PLAY QUEUE 10 Swastika Eyes (Chemical Brothers Mix)		save
PLAY QUEUE 11 Shoot Speed/Kill Light		save
PLAY QUEUE 12 I'm 5 Years Ahead Of My Time		save

MOG Editorial Review

Primal Scream truly reinstated themselves with Xtrmntr, bringing the band's stylistic threads together for their most consistent material in a decade. They cranked up the distortion on their guitars and synths, and reached back into the rave days to produce a new collection of blown-out breakbeats and lyrics of political fury, working with some of the very people they drew influence from in the process: Kevin Shields of My Bloody Valentine, UK dub producer Adrian Sherwood, DJ David Holmes, and even The Chemical Brothers. When Primal Scream just try to make a noisy, dance record, they can do it with the best of 'em.
AMG Review of XTRMNTR

Dean Carlson
All Music Guide

Whenever indie music seems lost in its own self-righteous, unchallenging, inoffensive fundament, Primal Scream rides in to try and save it all. So just as Screamadelica tried to encapsulate the importance of ecstasy culture, or Vanishing Point tried to exorcise their own insanity, here XTRMNTR is a nasty, fierce realization of an entire world that has also lost the plot. The album starts with a gloriously vindictive sample of a kid commanding "Kill All Hippies," and this roughly states the album's modus operandi. There are songs shouting with furious, feedback-splayed anger ("Blood Money," "Exterminator"), songs of club-based revolt (both house-influenced versions of "Swastika Eyes"), and songs of utterly manic desperation ("Accelerator"). The album only lurches when lead singer Bobby Gillespie's weedy vocals can't keep up with the black noise of the music. "Insect Royalty" meanders and mumbles with a blank approach. "Pills" is a half-realized hip-hop song, with Gillespie diminishing its power on every verse (it only saves itself when it caps the song off with the album's central theme: "Sick f*ck f*ck sick f*ck f*ck sick f*ck"). Thankfully, Scream's highs, such as the gentleness of "Keep Your Dreams" (sounding like the third sibling to 1991's "I'm Coming Down" or 1997's "Star"), as well as the inversely monstrous and apocalyptic "MBV Arkestra (If They Move, Kill 'Em)," shower down with purely visceral poise. The album is not the flawless statement against complacency the band seemed to strive for, but it succeeds at tearing heads off, shooting fascists, and quickly asking questions later with unbelievable fury. For these reasons alone, it easily serves as one of the band's highest marks. These aren't the aggro-simpleton maneuvers of bands like Rage Against the Machine or Korn; the implosive production and sheer political belief prove that ingenuity must come hand in hand with "statement" if an idea is to come across effectively. XTRMNTR is simply a protest -- sonically as well as lyrically -- and maybe this would be a fine time to once again rally behind something worthwhile.