B.B. King

Live At The Regal (1997 Reissue)

  • MOG Editorial Review

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    When it comes to blues legend B.B. King, iconic performances such as "The Thrill Is Gone" and Live At The Regal always land on top. The latter is arguably the best blues album of all time, capturing the full breadth of King's long and influential career. King plies his trade over ecstatic jazz and blues arrangements, filling the hall with rollicking guitar lines, slow-burning riffs, and soulful screams. The result is at times a bit brassier than you'd expect from an artist hailed as one of the best guitarists of all time, but his bleeding six-string never strays too far from the focus.
  • AMG Review of Live at the Regal

    Amg
    Daniel Gioffre
    All Music Guide

    B.B. King is not only a timeless singer and guitarist, he's also a natural-born entertainer, and on Live at the Regal the listener is treated to an exhibition of all three of his talents. Over percolating horn hits and rolling shuffles, King treats an enthusiastic audience (at some points, they shriek after he delivers each line) to a collection of some of his greatest hits. The backing band is razor-sharp, picking up the leader's cues with almost telepathic accuracy. King's voice is rarely in this fine of form, shifting effortlessly between his falsetto and his regular range, hitting the microphone hard for gritty emphasis and backing off in moments of almost intimate tenderness. Nowhere is this more evident than at the climax of "How Blue Can You Get," where the Chicago venue threatens to explode at King's prompting. Of course, the master's guitar is all over this record, and his playing here is among the best in his long career. Displaying a jazz sensibility, King's lines are sophisticated without losing their grit. More than anything else, Live at the Regal is a textbook example of how to set up a live performance. Talking to the crowd, setting up the tunes with a vignette, King is the consummate entertainer. Live at the Regal is an absolutely necessary acquisition for fans of B.B. King or blues music in general. A high point, perhaps even the high point, for uptown blues.

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