Dr. John

Gris Gris

  • MOG Editorial Review

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    For Gris Gris, Dr. John managed to defy categorization by fusing New Orleans R&B and psychedelic sounds for rock ‘n’ roll that reaches far beyond the bayou. Born Mac Rebennack, the session pianist molded himself into the larger than life, Mardi Gras-costumed persona of Dr. John for his debut effort Gris-Gris. Although the eclectic appeal of the 1968 release was initially met with less than stellar reviews, it’s proven itself like a spicy gumbo that takes time to digest. Afro-Caribbean drumming, ghostly voices, and tinges of Dixieland all influence the Night Tripper’s voodoo blues. “Gris-Gris Gumbo Ya-Ya,” “I Walk on Gilded Splinters” and “Mama Roux” achieve a combination of spacey effects for a brilliant and strange warping of his hometown’s famous rhythm and blues.
  • AMG Review of Gris-Gris

    Amg
    Richie Unterberger
    All Music Guide

    The most exploratory and psychedelic outing of Dr. John's career, a one-of-a-kind fusion of New Orleans Mardi Gras R&B and voodoo mysticism. Great rasping, bluesy vocals, soulful backup singers, and eerie melodies on flute, sax, and clarinet, as well as odd Middle Eastern-like chanting and mandolin runs. It's got the setting of a strange religious ritual, but the mood is far more joyous than solemn.

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