Superfuzz Bigmuff/Plus Free MP3, Song Download, Lyrics, Album Track List

Superfuzz Bigmuff/Plus

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Song	Lyrics	Save	Buy
PLAY QUEUE 1 Touch Me I'm Sick		save
PLAY QUEUE 2 Sweet Young Thing Ain't Sweet No More		save
PLAY QUEUE 3 Hate The Police		save
PLAY QUEUE 4 Burn It Clean		save
PLAY QUEUE 5 You Got It (Keep It Outta My Face)		save
PLAY QUEUE 6 Halloween		save
PLAY QUEUE 7 No One Has		save
PLAY QUEUE 8 If I Think		save
PLAY QUEUE 9 In 'N' Out Of Grace		save
PLAY QUEUE 10 Need		save
PLAY QUEUE 11 Chain That Door		save
PLAY QUEUE 12 Mudride		save

MOG Editorial Review

While bands like Soundgarden and Nirvana would hold the mainstream spotlight for breaking the Seattle “grunge” sound to the masses, it’s Mudhoney’s Superfuzz, that established much of the distortion-ridden riffs that we now associate with the era. Mudhoney’s Superfuzz Bigmuff Plus Early Singles combines their 1988 EP with a couple Sonic Youth and The Dicks covers, as well as both sides of previously released 45s. “Touch Me I’m Sick” is the band's definitive moment, with Mark Arm’s explosive singing and Dan Peters ear-shattering drum work. “In N’ Out of Grace” squeals out of the gates and, again, Peters pounds out a massive sound on his kit. Mudhoney’s disheveled approach to hard rock gave birth to a scene that would change the landscape for years to come.
AMG Review of Superfuzz Bigmuff Plus Early Singles

Steve Huey
All Music Guide

Named after the band's favorite distortion pedal, Superfuzz Bigmuff was actually Mudhoney's first EP; the Superfuzz Bigmuff Plus Early Singles package collects that recording, as well as the A- and B-sides of their first two 45s and two covers (of the Dicks and Sonic Youth), all released in 1988-1989. Taken as a whole, this output makes a case for Mudhoney as the first true grunge band; due to the time constraints of the forms in which this material was originally released, it also makes for their best, most consistent album, as the band largely refrains from the sort of aimless, grinding Stooges updates that slow the momentum of most of its records. Instead, Superfuzz Bigmuff has all the best attributes of Mudhoney's Stooges fixation -- whether slow or fast, this music is grimy, raucous, and violently enthusiastic, with a stronger melodic sensibility than Iggy's band possessed. Mudhoney's dominant traits are simple chord progressions and a filthy-sounding, ultradistorted guitar racket, punctuated by Mark Arm's snarling, demonic howls. It isn't the most original approach to rock & roll, but when it all comes into focus -- as on their (and Sub Pop's) debut single, the ultimate grunge anthem "Touch Me I'm Sick" -- Mudhoney's power is absolutely throttling. "Touch Me I'm Sick" would be essential listening for anyone even remotely interested in the genesis of the Seattle scene, but the album is full of menacing, vital rock & roll, plus sharp songwriting that elevates several other songs to classic status. Mudhoney's musical range may be quite limited, but as Superfuzz Bigmuff proves, they can be amazing at what they can do. This is the birth of grunge, and a reminder of exactly why the music was christened with a word meaning "dirt."