MOG Editorial Review

It may seem like a no-brainer, but Max Richter was one of the first composers to effectively sprinkle bits of ambient electronica over traditionally classical music. Like many of Richter's other projects (including the score for Golden Globe winning film Waltz With Bashir), Infra is conceptual in nature, a set of quiet, moody pieces inspired by T.S. Eliot poem The Waste Land. Featuring an atmosphere as calm as it is unsettling, this is one orchestral work bound to move you in many directions at once