Q And Not U
No Kill No Beep Beep
Play No Kill No Beep Beep
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MOG Editorial Review
“Line in the Sand” opens Q and Not U’s debut album, and it’s a fitting introduction to the many facets of their sound. Between the lyrics (cryptic and emotionally charged), powerful drumming, guitar dynamics, constant tempo changes and song-ending handclaps, it’s clear that they’re not quite like anything else Dischord Records had taken on. “And the Washington Monument (Blinks) Goodnight” is stuffed with guitars that sound like incessant beeping while borderline spoken word singing makes this, along with “Fever Sleeves,” one of the most melodic of their tracks. Throughout No Kill No Beep Beep, John Davis's pounding drums hold the rhythm changes and stop-start feeling together. In fact, at times they nearly overpower all the pedal effects and straightforward singing. Fugazi comparisons aside, Q and Not U might not fit in with the D.C. scene, but here it’s a good thing as they smartly bring ferocity and some of the catchier songs to come out of the region in a while.
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AMG Review of No Kill No Beep Beep
Blake Butler
All Music GuideQuirk-ass posturing matched with infectious D.C. backbeat and overly catchy singsong/shoutfests comes together as one of the best aggressive indie pop albums to see the light of day in many years. Q & Not U offer a take on the classic D.C. sound by bending its rules a bit, making things more infectious and fun to listen to than the Dischord world is used to. Their minor melodies and to-the-throat rhythmic drive, matched with an aesthetic sense that offers no cliché, offer more replay value than many of this band's peers, such as the other 2000-era Dischord addition, Faraquet. Shows are know to turn to dance parties in quite a hurry. Buy this for the enjoyment of technical spazz pop that few can produce with such tact.






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